http://m.neogaf.com/showpost.php?p=158119366
I just saw this. Holy shit
He also becomes responsible for at least 30% of Compton's working population as either ghostwriters or first responders to 911 calls concerning domestic violence.
let's be reality, Above the Law doing it first doesn't change the fact that Dre selling it better is why we're talking about G-Funk right now
I say this every time it gets brought up, but 2001 is a classic in the sense that it's sound is timeless. If we look past the filler (which I don't deny is a tall order), the standout tracks all feature clean, crisp, fully realized production. Plus, the jawn had HUGE pop culture penetration (
) via osmosis; kids today
still quote Nate Dogg in The Next Episode despite being conceived concurrently to the album.
SSLP is the best eminem work imo.
it goes without saying, Marshall's clowning antics were a big part of his appeal, they were most palatable when put to use shitting on himself and/or concocting completely outlandish narratives that were probably equally suitable for a stand-up routine. SSLP has more of that, which I'm willing to bet is why it's remembered more fondly.
