THE BORE

General => The Superdeep Borehole => Topic started by: recursivelyenumerable on September 12, 2010, 02:08:19 AM

Title: Which key (as seen by wacky 18th century theorists) are you?
Post by: recursivelyenumerable on September 12, 2010, 02:08:19 AM
I stumbled upon this in a book I was reading and thought it would make good source material for one of them there personality tests that the kids are all gaga for these days, but that would require actual thought and work so I'll just make a poll.

Full descriptions (Christian Schubart, 1784):

C Major: Completely pure. Its character is: innocence, simplicity, naivety, children's talk.   

A minor: Pious womanliness and tenderness of character.

G Major: Everything rustic, idyllic and lyrical, every calm and satisfied passion, every tender gratitude for true friendship and faithful love,--in a word every gentle and peaceful emotion of the heart is correctly expressed by this key.   

E minor: Naïve, womanly innocent declaration of love, lament without grumbling; sighs accompanied by few tears; this key speaks of the imminent hope of resolving in the pure happiness of C major.

D Major: The key of triumph, of Hallelujahs, of war-cries, of victory-rejoicing. Thus, the inviting symphonies, the marches, holiday songs and heaven-rejoicing choruses are set in this key.
   
B Minor: This is as it were the key of patience, of calm awaiting one's fate and of submission to divine dispensation.

A Major: This key includes declarations of innocent love, satisfaction with one's state of affairs; hope of seeing one's beloved again when parting; youthful cheerfulness and trust in God.   

F# Minor: A gloomy key: it tugs at passion as a dog biting a dress. Resentment and discontent are its language.

E Major: Noisy shouts of joy, laughing pleasure and not yet complete, full delight lies in E Major.   

C# Minor: Penitential lamentation, intimate conversation with God, the friend and help-meet of life; sighs of disappointed friendship and love lie in its radius.

B Major: Strongly colored, announcing wild passions, composed from the most glaring colors. Anger, rage, jealousy, fury, despair and every burden of the heart lies in its sphere.   

Ab Minor: Grumbling, heart squeezed until it suffocates; wailing lament, difficult struggle; in a word, the color of this key is everything struggling with difficulty.

F# Major: Triumph over difficulty, free sigh of relief uttered when hurdles are surmounted; echo of a soul which has fiercely struggled and finally conquered lies in all uses of this key.   

D# Minor: Feelings of the anxiety of the soul's deepest distress, of brooding despair, of blackest depression, of the most gloomy condition of the soul. Every fear, every hesitation of the shuddering heart, breathes out of horrible D# minor. If ghosts could speak, their speech would approximate this key.

Db Major: A leering key, degenerating into grief and rapture. It cannot laugh, but it can smile; it cannot howl, but it can at least grimace its crying. Consequently only unusual characters and feelings can be brought out in this key.   

Bb minor: A quaint creature, often dressed in the garment of night. It is somewhat surly and very seldom takes on a pleasant countenance. Mocking God and the world; discontented with itself and with everything; preparation for suicide sounds in this key.

Ab Major: Key of the grave. Death, grave, putrefaction, judgment, eternity lie in its radius.

F Minor: Deep depression, funereal lament, groans of misery and longing for the grave.

Eb Major: The key of love, of devotion, of intimate conversation with God.   

C Minor: Declaration of love and at the same time the lament of unhappy love. All languishing, longing, sighing of the love-sick soul lies in this key.

Bb Major: Cheerful love, clear conscience, hope aspiration for a better world.   

G Minor: Discontent, uneasiness, worry about a failed scheme; bad-tempered gnashing of teeth; in a word: resentment and dislike.
F Major: Complaisance & Calm.   

D Minor: Melancholy womanliness, the spleen and humours brood.
Title: Re: Which key (as seen by wacky 18th century theorists) are you?
Post by: Fresh Prince on September 12, 2010, 02:26:54 AM
obscure poster makes obscure thread
Title: Re: Which key (as seen by wacky 18th century theorists) are you?
Post by: Diunx on September 12, 2010, 09:22:19 AM
B minor :-*
Title: Re: Which key (as seen by wacky 18th century theorists) are you?
Post by: Dickie Dee on September 12, 2010, 11:25:23 AM
obscure poster makes obscure thread
^^

A Major (douche)
Title: Re: Which key (as seen by wacky 18th century theorists) are you?
Post by: Joe Molotov on September 12, 2010, 11:32:09 AM
I'm kinda feeling that D Minor today, my spleen is a bit womanly and brooding.
Title: Re: Which key (as seen by wacky 18th century theorists) are you?
Post by: Mandark on September 12, 2010, 12:50:38 PM
Man, this kicks the shit out of those Facebook personality quizzes.
Title: Re: Which key (as seen by wacky 18th century theorists) are you?
Post by: Great Rumbler on September 12, 2010, 03:46:58 PM
I keep reading it as "18th century terrorists".
Title: Re: Which key (as seen by wacky 18th century theorists) are you?
Post by: Olivia Wilde Homo on September 12, 2010, 05:16:45 PM
obscure poster makes obscure thread
^^

A Major (douche)

I LOL'd
Title: Re: Which key (as seen by wacky 18th century theorists) are you?
Post by: Tauntaun on September 12, 2010, 10:39:15 PM
Where's my E half/whole diminished scale?  :maf


:rock
Title: Re: Which key (as seen by wacky 18th century theorists) are you?
Post by: drohne on September 13, 2010, 06:36:10 AM
g flat major's me all over, but i sympathize with a lot of the minor keys