Author Topic: Guitar thread  (Read 3113 times)

0 Members and 1 Guest are viewing this topic.

MyNameIsMethodis

  • QUIT
  • Ebola Carrier
Re: Guitar thread
« Reply #60 on: June 17, 2009, 10:59:16 PM »
I think she only says that because it's a bass.  >:(
USA

Bildi

  • AKA Bildo
  • Senior Member
Re: Guitar thread
« Reply #61 on: June 17, 2009, 11:01:00 PM »
:lol

Bildi

  • AKA Bildo
  • Senior Member
Re: Guitar thread
« Reply #62 on: June 29, 2009, 03:23:27 AM »
A sweet little acoustic piece I just found.

[youtube=560,345]Yl0r7h3W-Wc[/youtube]

muckhole

  • AMBASSADOR
  • Senior Member
Re: Guitar thread
« Reply #63 on: June 29, 2009, 10:32:48 AM »
A sweet little acoustic piece I just found.

Holy crap.  :bow2

*Goes to practice scales*
fek

MyNameIsMethodis

  • QUIT
  • Ebola Carrier
Re: Guitar thread
« Reply #64 on: June 30, 2009, 02:11:27 PM »
It makes me wonder, just how the hell do they manage to just jam like that. I know it's scales but I have trouble jamming within one scale and having it sound too much alike. Jeesh.
USA

Bildi

  • AKA Bildo
  • Senior Member
Re: Guitar thread
« Reply #65 on: June 30, 2009, 09:01:51 PM »
I'm not really sure what level you are at methodis, or if this really helps, but when I used to teach I noticed there is a period when you start using scales properly in improvision, but your improvising doesn't sound like a melody, more like scales going up and down.  If that's you, some things I found can help:

- stick to just two, three or four notes and make a strong melody that repeats frequently, like in the verse of a song.  Most listeners needs something for their ear to latch on to, otherwise they won't be attached to, or understand what you're playing.  Keep coming back to it in your improvisation session and build around it.

- if you want to do a scale-like run, the context of it is important, but also how you begin and/or end it is fairly critical.  If it just ends at the top of the scale, it'll tend to sound like a scale, but if the few notes after it are well chosen, it will become integrated into the melody.

MyNameIsMethodis

  • QUIT
  • Ebola Carrier
Re: Guitar thread
« Reply #66 on: June 30, 2009, 10:02:03 PM »
I think the main problem I have is more that i'm doing the same thing. They don't sound like going up and down the scale as it's not really a descending order. I just have trouble moving from scale to scale as I have no clue how to do it (although I guess it has to do with Octaves)
USA

Powerslave

  • Senior Member
Re: Guitar thread
« Reply #67 on: June 30, 2009, 10:12:12 PM »
[youtube=560,345]uZM0EGBdHOw[/youtube]

Bildi

  • AKA Bildo
  • Senior Member
Re: Guitar thread
« Reply #68 on: June 30, 2009, 11:42:01 PM »
:lol WTF.

I think the main problem I have is more that i'm doing the same thing. They don't sound like going up and down the scale as it's not really a descending order. I just have trouble moving from scale to scale as I have no clue how to do it (although I guess it has to do with Octaves)

When you say moving from scale to scale do you mean changing keys like from a C Major to a G Major scale?  Or do you mean just moving around within one key?

Moving between keys is complex and jazz musicians spend their whole lives becoming proficient at it.  Moving around within one key is far easier though, and generally a matter of learning shapes that let you move around how you would like initially.  If you find you're locked within a position and have trouble moving up and down the neck, a couple of shapes that move up and down the neck would help.

Knowing where octaves are is also very useful, but you may find you end up with gaps where you're not sure what notes to play if you use that as the only way to get around the neck.