I never said there were daily rewrites that introduced an element as important as the EMP, you loon.

The point is that the shooting script changes daily, which it does, for
any film. That's why a writer is almost always on set, to punch up lines, change a scene due to unforeseen circumstances, etc.
Combined with the fact that a film is not shot chronologically, a director is not going to notice a small plot hole on set that some daft Puerto Rican Internet troll bitches about years later.
