I only jerk off to Garfield cartoons, I think this is considered normal.
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Reeves' film sticks fairly close to the original's plot and characters -- and even sometimes its shots -- but he ingeniously alters the context in order to capture a similar mood.
While all that is artful about Let Me In comes straight from the original, the Hollywood version commands respect for not dumbing things down.
Ultimately, if the Swedish version is near perfection, Matt Reeves's version achieves complete supremacy. Masterpiece is an overused word, but it's hard to think of another so powerful. Let Me In is the new standard for vampire movies.
This unsettling, effective American remake really gets under the skin as one of the year's most powerful thrillers.
Wtf does Cloverfield have to do with any of this?
-The full-frontal shot is gone
Eh, TVC is alive?