Season 2 Episode 18 - "
Je suis dans le pastiche"¹²
Blossom gets a letter from mom.


Dear Blossom STOP Still dating hunky Paul Gauguin wannabe³ STOP Went to the opera together the other night STOP Drank wine at a little cafe afterwards STOP Then danced the rest of the night away under the Eiffel Tower FULL STOP
Blossom reads this letter and concludes mom is like *totally embarrassing*, living like a "lovesick teenager" when she's turning
quarante soon.

Sounds like a pretty sweet setup to me, Blossom, but I have seen Jean-Claude

while you haven't.

Ah, the days when you could willfully abandon your parental obligations.

.
Speaking of living in the past, pops is cleaning out his performance wardrobe.


Needless to say it was probably ill-advised to try
putting on some of this stuff.⁴ In the present I mean, not back then.


Because questionable clothing no longer fits, pops decides to join the gym and get in shape.

(When you don't have a problem getting laid as a single father with irregular employment I guess you have to reach for anything you can to get motivated.

)

Establishing shots.

Even though he hasn't worked out possibly in forever, pops refuses to take much input from his trainer. I'm going to go ahead and leave this one packed up nice and tight in the "problematic power dynamics" box.


A nice warm
serving of comeuppance⁵ arrives at the stair machines however and pops ends up like this.


Harkening all the way back to the pilot⁶, Blossom decides to create a video journal instead of sending her mom a birthday card for her previously mentioned upcoming milestone. Our past is not merely something to depart from; it is to commune with, to speak with.⁷


Everyone gets in on dis shit.

Even Salt-N-Pepa.

Ah, the days when we got regular celebrity cameos on this show.


Bea tea dubs, they perform "Let's Talk About Sex." For Blossom's mom.

Anthony tells mom
all about how he's an EMT and sober. I'm starting to think Anthony gets paid off by Alcoholics Anonymous for every mention of sobriety he can unnecessarily work into any conversation or episode⁸ possible.


Mise-en-scene.

He also takes the opportunity to let us all know that the Playmate he saved last episode and he are dating.


Having the rare opportunity to communicate with his mother, Joey makes sure she knows he's still a kid at heart.


I'm hardly a LEGO connoisseur, but those pieces seem like fairly recent releases Joey.


Ah, the days when toilets in California could flush small LEGO creations.

(Joey, I know I'm not exactly on terra firma when I proffer life advice, but if I was sending my mom who thought acting the fool in Paris for years while her kids grew up without her a message I probably wouldn't use toilet flushing imagery.

)
Buzz demonstrates that empires rise and fall but ageism is eternal by gracing us all with a demonstration of his proficiency with modern marvels like VHS camcorders the size of a gym bag.

Even pops sneaks in a quick

message reminding mom that she'll always be 3 months older than him until the day she dies⁹.

Speaking of mom, we get a Dr. Claw scene of her watching the tape.

I wish this could have screencapped better but it's much more important for you to know Paul Junger Witt¹⁰ executive produced this episode than it is for you to know this video visibly moved Dr. Claw Mom.

I've got a bad fucking feeling mom is coming to an episode of Blossom soon.

"Woahs" - 0 in episode, 28 in total viewings
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¹Inaki believes this is a play on the French expression "je suis dans le pastis." Huldrych challenges this assertion, pointing out Karakand formally studied French as a child and the odds of encountering a liquor-based colloquialism in such an environment are exceedingly small. Additionally, a well-documented ideologue and absintheur would be disinclined to celebrate pastis, a drink that both arose in the aftermath of absinthe's ban in France and was invented by a man who receives his due credit for doing so (Paul Ricard) while absinthe was likely invented by a woman (or women if her daughters are included) while recognition for its creation was historically given to various men like Dr. Pierre Ordinaire. Inaki counters that even though pastis and absinthe have a complicated relationship, Karakand was quite familiar with the myriad of anise liquors available for consumption as evidenced by some of the more sordid anecdotes found in his overbearing autobiography
If I Drank That: The Mystery of the Ham in the Bowl and Other Struggles of Socialism.
²Despite several opportunities to use the two Leonardo DiCaprio emoticons through which Karakand comments on the various continuity issues that plague Blossom, he conspicuously avoided using them for entirety of this synopsis. While the title of the piece could be literally applied to various threads of the episode's plot, it is also possible that the amount of continuity consistency found in the episode made him give up on his deranged hypothesis that the show actually takes place across several parallel Earths which eliminated the philosophical basis for the use of the emoticons as well. Norwood asserts that for the sake of readability Karakand eschewed the use of the emoticons entirely for this synopsis because the frequency with which they would have had to appear would have irreparably damaged the flow of the work. For further discussion see
Conception, Inception, Deception: An Analysis of DiCaprian Semiotics.
³Given the reasons for Paul Gauguin's Tahitian residency, Karakand's choice of aspersive tone is curious here.
⁴An obvious instance of Karakand's use of the formulaic plant and payoff device.
⁵Readers of Karakand's previously mentioned autobiography will no doubt recognize the uncharacteristic personal references that lace this.
⁶And the opening credits of all of season 1.
⁷Syntactical discrepancy betrays this meditation as not being original thought on the part of Karakand. Inaki and Huldrych offer no theories as to why he would conceal his familiarity with the work of Wendell Berry.
⁸Assuming Anthony was capable of comprehending that he only existed in a terminating, episodic state.
⁹Specifically, Nick Russo uses "till death do us part," a fragment from the traditional English language marriage vow.
¹⁰Per his show notes, this executive producer's name served as the inspiration for the title "Jung Love" so the singling out this individual in a negative manner is difficult to understand. With a great deal of self-control we eschewed appending a Freudian slip joke to this observation.