My favorite modern Horro is "Event Horizon" :bownot really that modern anymore ;) but still a cool flick
:bow :bow :bow
I'm angry. I'm very angry, Ralph. You know, you can ball my wife if she wants you to. You can lounge around here on her sofa, in her ex-husband's dead-tech, post-modernistic bullshit house if you want to. But you do not get to watch my fucking television set!
I'm not too keen on Michael Mann movies.
I got him and Michael Bay mixed up.
Fuck Solo. I have no reason to do my thread now. Fuck you cock muffin of love. Edit your thread title and make it the official evilbore movie review thread.
Nvm. I got him and Michael Bay mixed up.
Great review on Brick. I have no idea why so many people like the movie. Is it because they've never actually seen a noir, but they know enough about the lingo to think Brick is cute or something?
Great review on Brick. I have no idea why so many people like the movie. Is it because they've never actually seen a noir, but they know enough about the lingo to think Brick is cute or something?
It's an incredibly well made movie.
Great review on Brick. I have no idea why so many people like the movie. Is it because they've never actually seen a noir, but they know enough about the lingo to think Brick is cute or something?
Most noirs suck anyway. The Big sleep is the best titled film in history. Brick was great for a bunch of reasons. You're in the minorty that thinks the writing was jarring. The photography was beautiful. Most of the performances were solid. It's not my favorite movie, but I enjoyed the ride.
At times it does feel pretentious though.
I really like Michael Mann, but Miami Vice was garbage. It was good to know that my hate for Colin Farrell isn't totally unfounded though.
The Third Man says "hello".
Most noirs suck anyway. The Big sleep is the best titled film in history. Brick was great for a bunch of reasons. You're in the minorty that thinks the writing was jarring. The photography was beautiful. Most of the performances were solid. It's not my favorite movie, but I enjoyed the ride.
At times it does feel pretentious though.
Most noirs suck anyway. The Big sleep is the best titled film in history. Brick was great for a bunch of reasons. You're in the minorty that thinks the writing was jarring. The photography was beautiful. Most of the performances were solid. It's not my favorite movie, but I enjoyed the ride.
At times it does feel pretentious though.
The Big Sleep was a book before it was a movie.
y'all like too much stuff. the worst score is a 5/10? you're the egm of movies!
i'd never give a movie a 10, and i'd give very very few a 9. most movies i see are from 1-3. the keepers are 6-8.
Goodfellas > Taxi Driver > The Departed
:punch
Running Scared deserves a higher score than Superman Returns or Mission: Impossible III and The Matador was your worst recommendation ever.
The rest of the list is pretty firm.
y'all like too much stuff. the worst score is a 5/10? you're the egm of movies!
Why would Running Scared not aged well? There's hardly any technology in it and it's a crime movie, nobody is really wearing hot clothes of the era or using hip slang.
Willco, because I have standards.
Willco, because I have standards.
Did you ever think that people here tend to only review the movies they enjoy? You're also an old cynical bastard who still trolls video game forums even though you have a kid. :lol
Willco, because I have standards.
Did you ever think that people here tend to only review the movies they enjoy? You're also an old cynical bastard who still trolls video game forums even though you have a kid. :lol
Shut up.
http://www.rottentomatoes.com/m/brick/ (http://www.rottentomatoes.com/m/brick/)
80% from the cream of the crop. I dub this the gaf-hates-something-that-becomes-popular phenomenon.
Thats my reason why you wont see pretty much any reviews less than 5/10: I generally dont waste the time to write about shit. HOWEVER, the exception is movies with lots of hype/circle jerkage. Then I dont mind writing the inevitable 2/10 review when they disappoint.
I am already salivating over the prospect of the 300 one :P
Solo, I doubt anybody will care about your review of 300. Not to be mean or condescending, but it seems the type of film people will see no matter how much you bitch.
No doubts. Its one I would do more for my amusement, and to draw the ire at GAF of people who cant take the slightest bit of negativity towards whatever they are obsessed with. :lol Yes, playing the role of shit disturber can be fun, I admit.
No doubts. Its one I would do more for my amusement, and to draw the ire at GAF of people who cant take the slightest bit of negativity towards whatever they are obsessed with. :lol Yes, playing the role of shit disturber can be fun, I admit.
I did that with Okami.
No doubts. Its one I would do more for my amusement, and to draw the ire at GAF of people who cant take the slightest bit of negativity towards whatever they are obsessed with. :lol Yes, playing the role of shit disturber can be fun, I admit.
I did that with Okami.
But Solo won't get plutoed for it.
No doubts. Its one I would do more for my amusement, and to draw the ire at GAF of people who cant take the slightest bit of negativity towards whatever they are obsessed with. :lol Yes, playing the role of shit disturber can be fun, I admit.
I did that with Okami.
But Solo won't get plutoed for it.
And even if he did, he wouldn't be dumb enough to bump the thread again after he got unbanned.
:lolNo doubts. Its one I would do more for my amusement, and to draw the ire at GAF of people who cant take the slightest bit of negativity towards whatever they are obsessed with. :lol Yes, playing the role of shit disturber can be fun, I admit.
I did that with Okami.
But Solo won't get plutoed for it.
And even if he did, he wouldn't be dumb enough to bump the thread again after he got unbanned.
No doubts. Its one I would do more for my amusement, and to draw the ire at GAF of people who cant take the slightest bit of negativity towards whatever they are obsessed with. :lol Yes, playing the role of shit disturber can be fun, I admit.
I did that with Okami.
But Solo won't get plutoed for it.
And even if he did, he wouldn't be dumb enough to bump the thread again after he got unbanned.
The only movie out of those that I've seen is The Exorcist. Meh.
There's some actual semen dripping at the beginning of that movie :lol
There's some actual semen dripping at the beginning of that movie :lol
But Gozu has a lactation scene. At least 2 of them, actually.
If only they played Ichi The Killer.
http://youtube.com/watch?v=wkDrraiI1Lw (http://youtube.com/watch?v=wkDrraiI1Lw)
?
wtf is this shit
Oh wait, didn't see the Excorcist on the list. Shit, if you haven't seen that yet Himu, WHAT THE FUCK KIND OF ROCK HAVE YOU BEEN LIVING UNDER?!?!
The extended cut is pretty good.
It's like watching Redux first. Who the shit does that?
Always check out the original cut first, then proceed to others.Well, many times the original cut is not on DVD. Such as E.T. in which the set with both verisons was a limited deal and the director's cut is the only edition to be bought currently. I am unsure but isn't the theatrical cut of Blade Runner also not currently available on dvd? And in the cases of many comedies the "unrated" cut is the only one you can get in widescreen.
Always check out the original cut first, then proceed to others.Well, many times the original cut is not on DVD. Such as E.T. in which the set with both verisons was a limited deal and the director's cut is the only edition to be bought currently. I am unsure but isn't the theatrical cut of Blade Runner also not currently available on dvd? And in the cases of many comedies the "unrated" cut is the only one you can get in widescreen.
You gave Rear Mirror a 9/10? It's a pure classic to me; I honestly can't think of any flaws in that movie.
You gave Rear Mirror a 9/10? It's a pure classic to me; I honestly can't think of any flaws in that movie.
You gave Rear Mirror a 9/10? It's a pure classic to me; I honestly can't think of any flaws in that movie.
Such a classic that you can't even remember its name? Window, bitch!
Anyways, it is pretty much perfect, but I give it a 9 because I feel Hitchcock made even better films, like North By Northwest, Notorious, and especially Vertigo. Those 3 are my Hitch 10's.
Who is discussing Toshiro Mifune OR Throne of Blood?
He's pretty fucking amazing in Seven Samurai.
Holy Shit, thank you. Mifune was AMAZING in High and Low. One my top 5, if not top 3 Kurosawa movies.He's pretty fucking amazing in Seven Samurai.
Yeah, and he was even crazier in Rashomon. But the BEST Mifune is in High and Low, haters be damned! :punch
Have yall seen "The bad Sleep Well?" GAF convinced me to buy it. I was a little disappointed with it.
High and Low <3Top 5 Kurosawa movies that AREN'T Seven Samurai. Go.
My third favorite Kuroawa, ever.
High and Low <3Top 5 Kurosawa movies that AREN'T Seven Samurai. Go.
My third favorite Kuroawa, ever.
Mine:
1. Rashomon
2. Ikiru
3. High and Low
4. Yojimbo
5. Dersu Uzala
lmfao Gozu is awesome
The part with the dog :lol
:lol Was that a spoon up the boss' ass when he was fucking that broad?
lmfao Gozu is awesome
The part with the dog :lol
It is probably my favorite Miike, all around. It's got Yakuza, it's got absurdity, it's got violence, it's got freaky shit. A lot of Miike films, even the best ones, have a lot of "fat" that could be trimmed, but Gozu doesn't even have that.
KKBB: probably my favorite film of 2005, or at the very least, my favorite comedy.
Everyone loves High and Low. :heartbeat Solo will rank it as #4 I THINKKKBB: probably my favorite film of 2005, or at the very least, my favorite comedy.
Read a few posts up, what do you think of High and Low? :-*
I would put a bevy of films in the role of "being the 80's" ahead of Ghostbusters. Hell, I can do so right now, naming one of evilbore's other sacred cows: Die Hard.
Yes. Yes it is.Amazing film. Both me and Solo put it on our top 10's of 2006.
I also grabbed The Prestige too. I haven't seen it yet so hopefully it's decent. It has motherfucking David Bowie in it, so it can't be that bad.
Best Buy has a pretty nice deal on past Oscar winning films this week. I just grabbed Boogie Nights, Magnolia, Unforgiven, and One Flew Over the Cuckoo's Nest for $40. They're all the ~$20 two disc, SE sets too.
Yes. Yes it is.Amazing film. Both me and Solo put it on our top 10's of 2006.
I also grabbed The Prestige too. I haven't seen it yet so hopefully it's decent. It has motherfucking David Bowie in it, so it can't be that bad.
12 Angry men, bitch! <3 Lumet
I just searched his post history. Solo's top ten:
10. The Prestige (Nolan)
09. Miami Vice (Mann)
08. Apocalypto (Gibson)
07. Little Miss Sunshine (Dayton)
06. Babel (Inarritu)
05. United 93 (Greengrass)
04. The Fountain (Aronofsky)
03. Casino Royale (Campbell)
02. The Departed (Scorsese)
01. Children of Men (Cuaron)
THE PRESTIGE!
John Kerry Total.I just searched his post history. Solo's top ten:
10. The Prestige (Nolan)
09. Miami Vice (Mann)
08. Apocalypto (Gibson)
07. Little Miss Sunshine (Dayton)
06. Babel (Inarritu)
05. United 93 (Greengrass)
04. The Fountain (Aronofsky)
03. Casino Royale (Campbell)
02. The Departed (Scorsese)
01. Children of Men (Cuaron)
THE PRESTIGE!
Wasn't he hating on the Prestige a little while ago? Fuckin' flip-flopper.
They don't have flip flops in Canada so we should call him something else. His opinions flucuate like the milk he buys in plastic bags
They don't have flip flops in Canada so we should call him something else. His opinions flucuate like the milk he buys in plastic bags:rofl :rofl :rofl
I refuse to believe its better than BB.Only ever so slightly. I ENJOYED Batman Begins more and expect to re-watch it over the years much more but Prestige really wow-ed me.
Superman Returns>POTC2
POTC2 was great, but it dragged on for far too long and seemed uninspired. But the ending really redeemed it by coming straight out of nowhere.
No, they really don't.
I said it was the best movie of the summer at the time of its release, and it was. It was a crap summer. And I really like the film. Don't ruin it with your spamming.
... so far.
I just searched his post history. Solo's top ten:
10. The Prestige (Nolan)
09. Miami Vice (Mann)
08. Apocalypto (Gibson)
07. Little Miss Sunshine (Dayton)
06. Babel (Inarritu)
05. United 93 (Greengrass)
04. The Fountain (Aronofsky)
03. Casino Royale (Campbell)
02. The Departed (Scorsese)
01. Children of Men (Cuaron)
THE PRESTIGE!
Wasn't he hating on the Prestige a little while ago? Fuckin' flip-flopper.
I can't make a top ten of 2006 because the only movies I saw theatrically last year were The Producers, Narnia, and Casino Royale.The Producers and Narnia were 2005 films.
Solo, how the fuck can a film you gave a 6 to be in your top ten? What, did you watch like 11 or 12 movies the whole year?
Everyone's got their thing, I guess. Bond has always connected with me, despite most of the films not being overly well written, directed, shot, or acted.
Casino Royale is better than Casino, as well.
Casino Royale is still better than Casino.
If Marty doesn't get Best Picture, it'll be because you're too stubborn to recognize that Casino Royale is so much better than Casino.You mean best director? He isn't up for best picture since he wasn't the producer.
MARTY DENIED YET ANOTHER BEST PICTURE OSCAR LOLZ
I think Willco realizes it is best director everyone is talking about but is saying best picture to get you annoyed. :-*
I'm still reeling from the shock that Solo only saw 15 movies last year. :'(
I watched about 300-400 films this year. Replays of great movies I love, first time viewings of other old movies, first time viewings of new movies on DVD, etc. The 15 applies to me getting my ass into the theatre. When 95% of shit that gets a wide release is awful, I dont feel the need to hit up the cinema.
To be honest, out of what I did see, only 4-5 were of the "can't miss" variety.
There IS no arthouse theatre here, local or otherwise. Atlantic Canada is a shithole for getting quality cinema. Im not going to the theatres 40 times a year to see Ghost Rider and 300 and the like.
What do you mean? Old stuff I saw for the first time in 2006? If you just mean old stuff period, then youlll just be asking for my top 10 alltime, lol.
Ok then.
15. Mean Streets (rewatch)
14. The Conversation (rewatch)
13. Serpico (rewatch)
12. The King Of Comedy (first time)
11. The Departed (first time)
10. Sword Of Doom (rewatch)
09. Le Samourai (rewatch)
08. After Sunset (first time)
07. Children Of Men (first time)
06. M (rewatch)
05. The Third Man (rewatch)
04. The Godfather (rewatch)
02. Trois Coleurs: Rouge (first time)
01. The Good, The Bad, And The Ugly (rewatch)
Er no. I meant the Linklater movie. Oops! Before Sunset!
Spielberg and Lucas are the most close of the 4 of course. Everytime one of them has a movie open they go on vacation together with no one else to celebrate. gay sex amirite
Lucas is faaaaaaar more richer than Steven. Star Wars was a gold mine.Spielberg and Lucas are the most close of the 4 of course. Everytime one of them has a movie open they go on vacation together with no one else to celebrate. gay sex amirite
I bet Speilberg foots the bill every damn time.
Yeah, but wouldn't you treat your friend if your film was getting released? I bet Lucas hasn't treated Speilberg but like three or four times over the course of their island getaways.A bit odd logic. I suspect they are rich enough to not really care anyhow.
Brian De Palma is also a member of that "crew". Him and Scorsese went to a porno together once, lolz. I wonder if thats where the Taxi Driver/The Departed porn theatre scenes came from.
I dont think George had anything to do with LiT. Im pretty sure Sophia just took her crew and went to Japan and shot, with Bill Murray only agreeing at the 11th hour.
Brian De Palma is also a member of that "crew". Him and Scorsese went to a porno together once, lolz. I wonder if thats where the Taxi Driver/The Departed porn theatre scenes came from.
Beginning = slow? If anything, Brazil races into the story at top speed, dude. There's hardly any exposition in those first twenty minutes. >:(
The Prestige (Nolan, 2006) - 8.5/10
What a difference a second viewing can make. I saw the film theatrically back in October, and came away feeling disappointed. Be it due to my own anticipation, or the hype surrounding the film, for whatever reason, what I saw did not live up to my expectations. As such, I pretty much chose to forget about the movie, and it dropped off my radar. Well, on a whim, I decided to give it another go on DVD. With all the pre-conceptions and hype garbage long in the past, I just sat down and took in the film on its own merits. And it totally blew me away this time. Actually knowing the twists beforehand made me appreciate the film much more, as you could see the rather generous hints constantly being dropped, and just how well Nolan handled the material in this meticulously crafted film. Pretty much everything about this movie works wonderfully, and the film is a magic trick in itself. The writing is engaging, the cinematography is ace, Nolan's direction is in top form, and the acting is fantastic across the board. Most noticeably incredible is the pacing, which is almost perfect. At 130 minutes, it feels like a 90 minute film. Nolan's take on the material is very brisk and never boring. I originally commented that I felt this was one of Nolan's weaker efforts. After a second viewing, watched with an open mind, I'm ready to put it near the front, if not at the very top. An excellent and sadly over-looked piece of film-making. Highly recommended.
What is with The Prestige hate, by the way? By all accounts, even its detractors say it's not a bad movie.
I believe shake has bashed it somewhat, I don't remember why though. I don't think he saw it.
The Prestige (Nolan, 2006) - 8.5/10
What a difference a second viewing can make. I saw the film theatrically back in October, and came away feeling disappointed. Be it due to my own anticipation, or the hype surrounding the film, for whatever reason, what I saw did not live up to my expectations. As such, I pretty much chose to forget about the movie, and it dropped off my radar. Well, on a whim, I decided to give it another go on DVD. With all the pre-conceptions and hype garbage long in the past, I just sat down and took in the film on its own merits. And it totally blew me away this time. Actually knowing the twists beforehand made me appreciate the film much more, as you could see the rather generous hints constantly being dropped, and just how well Nolan handled the material in this meticulously crafted film. Pretty much everything about this movie works wonderfully, and the film is a magic trick in itself. The writing is engaging, the cinematography is ace, Nolan's direction is in top form, and the acting is fantastic across the board. Most noticeably incredible is the pacing, which is almost perfect. At 130 minutes, it feels like a 90 minute film. Nolan's take on the material is very brisk and never boring. I originally commented that I felt this was one of Nolan's weaker efforts. After a second viewing, watched with an open mind, I'm ready to put it near the front, if not at the very top. An excellent and sadly over-looked piece of film-making. Highly recommended.
:bow
I can't remember if I've said this here before, but my only major gripe is with the last 10 minutes or so, where everything is laid out and really pounded down your throat. I also thought it was interesting that earlier on Bale mentions to never give away your secrets-- if you do they'll forget you and so on, and here we have the ending of this otherwise great film exposing what I percieved to be too much detail.
I should note that I think this was done to drive home the "dedication" theme, so that Bale's and Jackman's characters could further explain themselves, which does work quite nicely.
The Prestige (Nolan, 2006) - 8.5/10
What a difference a second viewing can make. I saw the film theatrically back in October, and came away feeling disappointed. Be it due to my own anticipation, or the hype surrounding the film, for whatever reason, what I saw did not live up to my expectations. As such, I pretty much chose to forget about the movie, and it dropped off my radar. Well, on a whim, I decided to give it another go on DVD. With all the pre-conceptions and hype garbage long in the past, I just sat down and took in the film on its own merits. And it totally blew me away this time. Actually knowing the twists beforehand made me appreciate the film much more, as you could see the rather generous hints constantly being dropped, and just how well Nolan handled the material in this meticulously crafted film. Pretty much everything about this movie works wonderfully, and the film is a magic trick in itself. The writing is engaging, the cinematography is ace, Nolan's direction is in top form, and the acting is fantastic across the board. Most noticeably incredible is the pacing, which is almost perfect. At 130 minutes, it feels like a 90 minute film. Nolan's take on the material is very brisk and never boring. I originally commented that I felt this was one of Nolan's weaker efforts. After a second viewing, watched with an open mind, I'm ready to put it near the front, if not at the very top. An excellent and sadly over-looked piece of film-making. Highly recommended.
:bow
I can't remember if I've said this here before, but my only major gripe is with the last 10 minutes or so, where everything is laid out and really pounded down your throat. I also thought it was interesting that earlier on Bale mentions to never give away your secrets-- if you do they'll forget you and so on, and here we have the ending of this otherwise great film exposing what I percieved to be too much detail.
I should note that I think this was done to drive home the "dedication" theme, so that Bale's and Jackman's characters could further explain themselves, which does work quite nicely.
Indeed. In the end I think its a toss up as to who was more dedicated. I mean,. Anyways, I was rooting for Borden the whole time. I liked his character more, and I love Christian Bale's performance.spoiler (click to show/hide)Angier killed himself 100 times, while Borden led a double life for years[close]
But yeah, I really loved this on the second viewing, and its definately the type of film I think my appreciation will grow for.
I always felt it wasspoiler (click to show/hide)Fallon. Borden being with his child just makes more sense in a happy ending sort of way.[close]
Indiana Jones: He's got a two day head start on you, which is more than he needs. Brody's got friends in every town and village from here to the Sudan, he speaks a dozen languages, knows every local custom, he'll blend in, disappear, you'll never see him again. With any luck, he's got the grail already.:lol :lol
[Cut to middle of fair in the Middle East, Marcus Brody wearing bright suit and white hat, sticking out like sore thumb]
Marcus Brody: Uhhh, does anyone here speak English?
Are you sure his deal was for a backend cut of the gross? I mean, this wasn't the case for anyone else involved in the films.Yeah it was, and he was the only one offered that because the studio wanted him BADLY.
refused an offer to play Gandalf in the Lord of the Rings trilogy, it has emerged.http://thescotsman.scotsman.com/index.cfm?id=1747562006
If the actor had put on the long white beard and clasped the wizard's staff as the hero of Middle Earth he would have earned as much as Ł225 million.
Advert for SuperScotBingo
Peter Jackson, the director of the fantasy trilogy, has revealed that New Line Cinema, the production company behind the films, offered the Scottish actor between 10 and 15 per cent of worldwide box office takings to secure his participation.
Marie Antoinette (Coppola, 2006) - 8/10I loved this movie, I gave it a 8.5/10 after re-watching it when I "only" gave it a 7/10 in theaters. I loved Lost in Translation more though. I wonder if I would like Virgin Suicides I am suprised I never got around to it because her other two films are fantastic.
Sophia Coppola is a modern day writer and director who seems to draw the strongest emotions from people. Either love or venomous hate is usually thrown her way. I have been on both sides of this fence. I hated The Virgin Suicides, but I gave Lost In Translation a chance, and it has become one of my favorite films. When Marie Antoinette was released this past year, once again, all I heard were extremely divisive reactions. There was the Cannes debable, and several major critics tore the film to shreds. On the other side, many called this a great film, and praised Coppola for being some kind of modern auteur. The bad-to-mixed reception, coupled with my own indifference to the subject matter, left me skipping this one during its theatrical run, and just now getting to it on DVD. After finally watching it, despite the general consensus saying otherwise, I loved it. This is the first time I can honestly say I really liked Kirsten Dunst in anything. I felt she was perfect for the role, having lived the young-and-famous lifestyle herself. The rest of the cast was quite good too. The writing wasn't anything incredible, but then, I feel Coppola's talent is in setting up the atmosphere, and not in writing great dialogue. To that end, I felt she was wildly successful. Much like her previous film, this feels more like a movie about Coppola herself than Antoinette. It's definately something that leaks into all her screenplays, much like the contemporary music leaks into her soundtracks. I enjoyed her direction, and I like her no-frills style, as it feels very natural to me. The movie had a nice, brisk pace, and the 2 hours rolled by pretty quick. The thing I loved most about the film was the visuals. The costumes, make-up, and cinematography were absolutely brilliant. Shooting on location in Versailles doesn't hurt when trying to create a realistic environment, either. Ultimately, like Lost In Translation, despite its scope, Marie Antoinette offers a small story about a young girl thrust into an impossible situation. It is not a masterpiece, nor even a great film, but it's a damned good one that was unfairly lashed-out against.
The movie also had a Barry Lyndon vibe, in the costumes and lighting, which rocks.Well the costumes were done by the same person. Notice how when MA won for best costumes the costume designer for MA thanked Kubrick?
Delicious as hell.
I liked Zodiac, but the detail it goes into is too gratuitous. I felt like I was watching Graysmith's obsession played out on film and it's sort of disturbing.
Delicious as hell.
I liked Zodiac, but the detail it goes into is too gratuitous. I felt like Fincher was mirroring Graysmith's obsession on film and it's sort of disturbing.
Buy a copy of House of the Dead, its a great 'while drunk' movie.Translation: The only way you can get through this movie is if you're too drunk to hit stop on the remote.
Uh huh.
Fucktard? Grow up. I am done with this "dispute" we had, but like usual, you're making it your mission to make a post right me basically stating the exact opposite/trying to make my views seem wrong (witness this thread and the GONY thread in the last, what, 10 minutes?). That was my motivation behind the "uh huh". If you didn't like the movie, that is fine, I have no problems with that. Free country and all. Its just that you for whatever reason love to hold these personal grudges, and I cant help but see that you've posted right after me and think "gee, what is Ichirou gonna say this time?". I have offered to end this petty tiff a bunch of times now, yet you seem content to keep that hatchet above ground.
Again your rationality and maturity shine through. Since you obviously dont want to end this, why not just post in other threads, namely ones without my name in the very title? I think we can easily co-exist by ignoring eachother.
Jacob's Ladder is also a favorite, as is The Exorcist. Right up there with Halloween and The Thing. Pretty much whatever Carpenter was doing around the mid-70's to mid-80's I was digging. I love The Fog too, but its definately a lesser film to his other horror ventures. I loved In The Mouth Of Madness too.
whats going on in this thread
IA is cheesey
hey Ichirou, have you seen or are going to check out the new Ghengis Khan flick, Ryu Ga Gotoku, or Dorororo?
If I were living in Japan, I'd be taking advantage of the local cinema and such, heck, any video rental place in Japan probably has more good Asian cinema then you could find in almost any American store. So quit wasting time worrying about inferior remakes and go see something us stateside nerds could only hope to get when you do.
When's Miike's sushi-western gonna hit the states? Sounds like it could be fucking great. :hyper
When's Miike's sushi-western gonna hit the states? Sounds like it could be fucking great. :hyper
That's going to be abizarreawesome movie.
"Is Ryu Ga Gotoku even going to make it to theaters? Most Miike stuff is straight to video."
Its in theaters now, and its a fairly limited release and isn't doing so hot.
http://www.boxofficemojo.com/intl/japan/?yr=2007&wk=9&p=.htm (http://www.boxofficemojo.com/intl/japan/?yr=2007&wk=9&p=.htm)
If you're going to see it in a theater, better go soon.
and the last foreign made Westerns weren't exactly outstanding (The Proposition, Blueberry), and I just know there's going to be shitloads of engrish in it. I'm wary, but hey, it could very well be awesome. Watching a Miike film is like rolling some dice.
sorry, I suck at internets.
Most importantly, I think the movie works wonderfully as a film, period, without constraining it to the genre of super-hero movies. The set-up, conflict, and resolution are much better than we see in many other Hollywood dramas.PeterBruce actually has a well-defined character arc and journey that he takes in the movie. It also is a perfect example of a cliff-hanger ending done right, by throwing us a bone, but leaving the audience salivating for thethirdsecond movie.
Spidey 2 isn't flawless either, obviously, but I feel it makes fewer missteps, and engages me more, and the emotional peaks resonate more with me.
Batman will have a near perfect trilogy barring some unforseen problem, Spider-Man will have one fantastic film and two average at best ones(you KNOW the third has no hope of topping 2).
If the screenplay for BB was garbage, you're not sitting here today joygasming over it and its upcoming sequels. So I would say that you should care.
So basically you are saying that if Bale was in Batman and Robin, it would have been a masterpiece.
Why did they put goyer on batman? Why do they hate batman?
Why did they put goyer on batman? Why do they hate batman?
Yeah, they hate him enough to have had Goyer crank out a fantastic script. Moron. ::)
Yeah, they hate him enough to have had Goyer crank out a fantastic script. Moron. ::)The script was the only thing that flawed the movie. A lot of very out-of-place moments with the characters.
It's few shortcomings were probably becuase of Goyer. Begins is my favorite super-hero movie ever, but there were, as Solo mentioned, some iffy parts. I liked Goyer's work, and I do like that he's back as a producer (and somewhat helped writing as well). But I just feel better having the Nolans be completely in charge of it.It's VERY, VERY, VERY good if he's not the main writer since that is something he simply has no talent in doing.
My favorite comic book movie is Batman Begins, yet I see the flaws in the film as well (especially once he returns to Gotham).
Still, I enjoy it more than either Spider-Man film.
That's not true at all, Cheebs. Goyer was in on the movie from the first draft. Nolan had nothing to do with the script until afterwards, and all he did was pretty much expand and move around the action in the third act from the original draft.oh? Regardless Goyer is out and The Nolan brothers are doing it alone that in itself is something that will be helpful
And Nolan would love for him to return, but Goyer is pretty busy with his own projects and directing gigs that he couldn't commit. So Nolan and his brother are working off a story that he created.
You guys are making me want to see BB again, despite the fact that I damn near hated it the first time around. Maybe another viewing is in order.
I watched The Muppet Movie for the first time in years last night. Luvs it.
I saw Eternal Sunshine of the Spotless Mind last night as well, for the first time. I rented quite a few movies: The Muppet Movie, Eternal Sunshine, Muppets Take Over Manhattan, Oldboy, and Chinatown.
my problems with it have less to do with coherence and more to do with relatability; i think it's coherent in a very kaufman sort of way, with it being possible to arrange all those disjointed pieces into a chronology that ultimately makes a lot of sense.
I liked it enough, despite the fact I feel it's a bit over hyped. I love romance comedy stories, so Eternal Sunshine fit the bill perfectly, but it felt flawed all over the place as I watched it. I love the story, the acting, the script, but the direction...holy moly was it bad (imho). Some scenes (like the baby scene) felt utterly confusing and incoherent. I don't know if it was because I was tired as hell, but some scenes left a bad taste in my mouth. Despite all of that, I loved the movie, and I would watch it again if I could. I've been wanting to see it for years.
The directer wanted Carrey, don't know/remember why since I haven't seen the movie.
I saw Chinatown tonight. Amazing movie. People these days would hate it though, because it's takes patience. The ending was really sad. It was a well done ending, but I just felt sorry for the characters. Jack Nicholson's role was pretty good. His character wasn't that interesting, in my opinion, but the dialogue was great stuff.
I love Eternal Sunshine, and Carrey's performance.
It was a definite surprise and one of the most "warm" films I've seen in awhile. It's a brilliant way to cap off the series.
It was a definite surprise and one of the most "warm" films I've seen in awhile. It's a brilliant way to cap off the series.
Agreed 100%. Dare I say it? This actually makes me curious for Rambo.
I love Eternal Sunshine, and Carrey's performance.QFT
I love Eternal Sunshine, and Carrey's performance.QFT
That's the only one that I think Carrey did alright in with drama. Mostly because he's supposed to be quirky in the film. He's supposed to be a weirdo.
AND FUCK YOU HIMU! ETERNAL SUNSHINE IS ONE OF, IF NOT MY FAVORITE MOVIE
Didn't like Borat? At all? Solo I loved you. :(
:heartbeat I choose your left earI love Eternal Sunshine, and Carrey's performance.QFT
That's the only one that I think Carrey did alright in with drama. Mostly because he's supposed to be quirky in the film. He's supposed to be a weirdo.
AND FUCK YOU HIMU! ETERNAL SUNSHINE IS ONE OF, IF NOT MY FAVORITE MOVIE
Have sex with me. In any orifice.
Many things seemed odd in the movie. He obviously liked the guy who was on trial, but it seemed like when the dude finally revealed how he killed the family...Capote just lost it. It was as if Capote assumed he wasn't the murderer, and the other guy was.
Many things seemed odd in the movie. He obviously liked the guy who was on trial, but it seemed like when the dude finally revealed how he killed the family...Capote just lost it. It was as if Capote assumed he wasn't the murderer, and the other guy was.
Did you read In Cold Blood? It's pretty clear with which of the guys Capote's sympathy lies. I think it's kinda hard to extrapolate from that, that Capote was in love with him or whatever, though.
Just got done watching Unforgiven. I'll have a review tomorrow, but I must say I was almost completely underwhelmed. Wow
The Outlaw Josey Wales rocked. Unforgiven was great and deserved the oscar though.
The Outlaw Josey Wales rocked. Unforgiven was great and deserved the oscar though.
There was nothing great about Unforgiven. I was seriously considering giving it a 6 until the last few minutes, and even then I still wanted to.
Unforgiven (Eastwood)
Eastwood's character is beyond manufactured. He constantly repeats the same lines over and over again. For instance, whenever someone confronts him about his killer past his answer is along the lines "I used to be a rotten no good dirty killer, but now I'm on the right path thanks to my wife. I'm not like...that, anymore." How many times does he have to say that? It gets to the point where you can just tell when he'll say it again, and I couldn't help but roll my eyes every time.
The entire plot of the movie seems quite senseless. A whore's face is "cut up" by a few drunk guys, and her fellow prostitutes decide to raise some money to pay for revenge since the evil sherriff won't do anything. And I hate calling him evil, because Hackman's character was quite disgraceful as the "sadistic" villian he was billed to be. When I think of truly evil villians in Westerns I think of characters that actually live up to that billing. Such as Fonda in OUATITW, who killed a small boy point blank, or the villian in The Cowboys, who shot John Wayne in the back multiple times in front of a bunch of kids. That's evil. Yet here, Hackman does absolutely nothing to give me the impression that he's truly some evil bastard. Yes he's definitely a douche, but not evil. Even when he kills Munny's best friend the movie failed to drive the point home. Not only do you NOT see the murder, you also are told that it was an "accident". An accident? Wow, that's definitely badass. ::)
Speaking of someone not being badass or entertaing, you have Richard Harris' character Bob. At first it seems like he's the real badass of the movie, yet five minutes later he's neutralized in totally underwhelming fashion. His purpose in the movie is so forced and un-needed that I couldn't help but be shocked at the lazy execution of it. It's almost like giving a couple badass, full dialogue scenes to those fancy villians in Batman movies who do a bunch of impressive ninja moves only to be beaten by Batman with one hit.
Finally in terms of characters, there's the young apprentice. Throughout the movie he doesn't stop trying to prove how awesome he is. He drinks, he fucks prostitutes, he brags of killing five men; all to prove himself to the herelded assassins he rides with. Yet after he kills his first man he changes, and seems to replace Eastwood as the repentant man sorry for his sins. Not only was this predictable, it was done quite poorly.
As I said earlier, Eastwood's character is quite repentant as well, to say the least. But he seems a slight metamorphasis on two occassions. First, when he awakens from his fever induced sleep (all the while doing it in a snow covered environment, which made absolutely no sense). Yet even now he's not the badass he once was; if anything, it's clear that he's getting there. When his friend is "murdered" he snaps. He begins to swig whiskey, and then finally confronts Hackman's entire gang in the epic bar shootout. At this moment he's reverted to the Eastwood we all know and love: the badass, unstoppable killer. In a few minutes he basically seems to preform an "Eastwood Greatest Hits" reel, regurgitating many scenes from older movies in his rampage. Finally, the hero victorious, he rides off into the rainy, dark night as the prostitutes and men stare on in amazement and thanks.
Overall I can't really think of anything that stood out in this movie. Everything seemed second rate, and even the music was bland - which is unacceptable in Western movies. I didn't see a single justifiable reason for this movie's universal praise or its Oscar sweep. Best director? Why? There was nothing impressive about the direction or execution of the movie; in fact, in many instances it seemed quite sloppy and uninspired. I can't even think of any interest shots from the movie; instead we got plenty of the "close up on one face, cut to closeup on another face, closeup to former face, closeup to latter face, etc" editing.
6/10
wow, that review of unforgiven reads like a satire of someone who completely and utterly did not get the fucking movie. the whole point of english bob is that he's a trumped up fictional hero who can't handle the real west; the point of hackman is that he really is just a petty, amoral small-town sheriff tryin' to get by in his retirement; the point of the "kid" is that he's possessed of false bravado based on his romantic notions of the west; the point of clint fucking eastwood's character is to prove that the mentality of the "traditional western hero" is that of a psychopath. the concept of unforgiven is that of a classic western structure wed to more realistic and less heroic characters -- the is the road that leone began to tread and eastwood finished. the movie is so 100% consistent on these points that i'm amazed that you -- yes, even you -- so completely and utterly missed it. for the sake of your soul and your god, i hope that review was a joke.
wow, that review of unforgiven reads like a satire of someone who completely and utterly did not get the fucking movie. the whole point of english bob is that he's a trumped up fictional hero who can't handle the real west; the point of hackman is that he really is just a petty, amoral small-town sheriff tryin' to get by in his retirement; the point of the "kid" is that he's possessed of false bravado based on his romantic notions of the west; the point of clint fucking eastwood's character is to prove that the mentality of the "traditional western hero" is that of a psychopath. the concept of unforgiven is that of a classic western structure wed to more realistic and less heroic characters -- the is the road that leone began to tread and eastwood finished. the movie is so 100% consistent on these points that i'm amazed that you -- yes, even you -- so completely and utterly missed it. for the sake of your soul and your god, i hope that review was a joke.
wow, that review of unforgiven reads like a satire of someone who completely and utterly did not get the fucking movie. the whole point of english bob is that he's a trumped up fictional hero who can't handle the real west; the point of hackman is that he really is just a petty, amoral small-town sheriff tryin' to get by in his retirement; the point of the "kid" is that he's possessed of false bravado based on his romantic notions of the west; the point of clint fucking eastwood's character is to prove that the mentality of the "traditional western hero" is that of a psychopath. the concept of unforgiven is that of a classic western structure wed to more realistic and less heroic characters -- the is the road that leone began to tread and eastwood finished. the movie is so 100% consistent on these points that i'm amazed that you -- yes, even you -- so completely and utterly missed it. for the sake of your soul and your god, i hope that review was a joke.
This is the stupidest thing I've ever read
+10 redemption points. Collateral is my favorite movie of 2004, or second behind Eternal Sunshine, I can never decide.
That +10 bring your overall score to -8935, PD.
i don't respect him. he mugs a lot, he's about as nuanced an actor as harrison ford, and he's l. ron hubbard's crazy-ass jesus. i consider him a detriment to any movie he's in, where he could easily be replaced by any superior actor. i like collateral, but foxx's performance was so much more credible than tom's bombast.
Now question time: what was the coyote scene for? It seemed to just show a sense of displacement - being out of one's environment and having to adapt. I thought it was an interesting scene, although the music was way too loud - I love Audioslave and Mann does too, but it seemed kinda thrown together. Sort of like some of the musical cues in The Departed.
It was the shittiest thing I've ever seen film wasted on.you are often angry
Why in the fuck would anybody go pay money to see bitches-desperate-for-sex, mexican-bashing, or ragheads-waving-their-guns?
ARE YOU THAT FUCKING DUMB?
Hilarious new thread title forgives all the gushing over Death Proof.
It was the shittiest thing I've ever seen film wasted on.
Why in the fuck would anybody go pay money to see bitches-desperate-for-sex, mexican-bashing, or ragheads-waving-their-guns?
ARE YOU THAT FUCKING DUMB?
Stolen from another board I visit. Basically a perfect encapsulation of one of the MANY reasons why I loved DP so much, only worded better than I could think of:
"To me, the way Tarantino totally flips our expectations is incredible, and to put it frankly, ballsy. He spends half his time in a specific setting with a group of characters, and in an instant, he takes them away and brings us somewhere completely different for the remainder of the film. Who does that in a "genre" picture? I might hate the move if it didn't make complete sense. The first half of the film has much to do about Jungle Julia's facade of toughness. She has the billboards and she talks the talk, but at the end of the day, she's still consumed by a man who stood her up. Her vulnerability is exposed, and ultimately, she is not strong enough to finish this film as its protagonist. Tarantino sets it up brilliantly with the subtle jabs at her character. The line between antagonist and protagonist is suddenly blurred as the first segment reaches its close. The vulnerability factor is played up more bluntly with Butterfly. Stuntman Mike basically spells it out in his speech for her, but he also uses her exposed vulnerability to completely manipulate her. She is not strong enough to finish this film as its protagonist either.
Now we're all set up for the final half of the film. This half isn't just about women who talk tough. It's about women who are tough. I don't believe these characters are just emulating men either. Their initial car ride scene establishes them as being very feminine. The point that Tarantino is getting at is that being assertive and strong willed isn't an exclusively male trait. It's not as though they are going around shooting up a mob of baddies with a pistol in their left and right hands as if it were some violent male fantasy. The last half of the film is simply about a group of women who won't be victimized. The position in which Stuntman Mike finds himself is completely flipped from the first half of the film. He hasn't just met his match; he's been totally dominated. For Tarantino to encase all of this in a film that feels this smooth and effortless is a remarkable achievement in my book (and Stuntman Mike's book too)."
Triumph: I didn't see it as preachy at all. If anything it presented the viewer with a real look at human frailty as well as the importance of communication. The movie constantly took basic things we are quite used to as Americans and complicated them with this problem.
Hot Fuzz: 10/10
:-\
Triumph: I didn't see it as preachy at all. If anything it presented the viewer with a real look at human frailty as well as the importance of communication. The movie constantly took basic things we are quite used to as Americans and complicated them with this problem.
see, i'd like to believe that you came to this conclusion through semi-intelligent analysis of the film, and then i remember that you didn't fucking get unforgiven at all despite it being completely in your face about its themes. as a result, we can't trust you. :'(
Hot Fuzz: 10/10
8.5 not as funny as shaun but deffinatly up there.
Death Proof was so awesome.
Yeah, the pacing could be charitably described as "spotty", but without the slow parts, the action scenes wouldn't have hit as hard as they did, and boy howdy, I was taken back by them.
The first segment also raised the stakes for the second act. I was much more invested in the Hollywood girls because I believed that they were seconds away from a very messy death during the chase. Of course it helped that the stuntwork was absolutely insane.
So its a slow build, but its got a point to it all, and it really pays off. There's all that subtext and such, and that's great, it really is. But Death Proof deserves a medal for being the most satisfying and thrilling action/horror (really, it was scary) movie I've ever seen in a theater.
The mere thought of being deaf and not being able to associate with people on a level field is terrifying. She felt naked to everyone, and she became naked physically in the end as wellIt takes a stupid person and gives them a disability.
Hot Fuzz: 10/10
8.5 not as funny as shaun but deffinatly up there.
Shaun of the Dead: 10/10
Great post all around, and I agree totally. DP is a slow burn, but its so meticulously crafted, that when QT finally floors it, you feel it. Cant say many other films recently worked on that level for me. It really clicks on a very primal level, and I totally loved it. Thats why I say that I think DP was too good for this setup. RR should have teamed with Roth or Zombie or Wright, and QT should have just made DP standalone.Best car chase since Ronin? Easily.
Also, the car chase has got to be the most exciting one Ive seen since Ronin, a decade ago.
Hot Fuzz: 10/10
8.5 not as funny as shaun but deffinatly up there.
Shaun of the Dead: 10/10
Agreed but only cause I like zombies.
Spaced: 9/10
Great post all around, and I agree totally. DP is a slow burn, but its so meticulously crafted, that when QT finally floors it, you feel it. Cant say many other films recently worked on that level for me. It really clicks on a very primal level, and I totally loved it. Thats why I say that I think DP was too good for this setup. RR should have teamed with Roth or Zombie or Wright, and QT should have just made DP standalone.Best car chase since Ronin? Easily.
Also, the car chase has got to be the most exciting one Ive seen since Ronin, a decade ago.
I do think that Death Proof works very well when coupled with Planet Terror, especially the placement of it. PT was just so balls-out-crazy that it began to wear on me after a while. I very much enjoyed it, but I was SO ready for a change of pace. Death Proof was more then willing to accomadate me. It gave me some rich atmosphere to drink in and characters worth caring about, and THEN they get horrifically butchered.
I can't oversell just how great the setup was. And if Planet Terror hadn't perfectly primed me for it, I'm not sure I would have been as patient as I was.
:-\
Triumph: I didn't see it as preachy at all. If anything it presented the viewer with a real look at human frailty as well as the importance of communication. The movie constantly took basic things we are quite used to as Americans and complicated them with this problem.
see, i'd like to believe that you came to this conclusion through semi-intelligent analysis of the film, and then i remember that you didn't fucking get unforgiven at all despite it being completely in your face about its themes. as a result, we can't trust you. :'(
Oh come on. I may be dumb but the theme of Babel was quite obvious from the title alone. I didn't see anything as preachy because it never really gave you any type of "this is how you should be" spill. Instead it was more along the lines of "this is how it is".
The mere thought of being deaf and not being able to associate with people on a level field is terrifying. She felt naked to everyone, and she became naked physically in the end as well
Basically, I look at the two movies like ex-girlfriends. Planet Terror is the fun, meaningless relationship you had with a pretty girl. Your times were consistently pretty good but never anything wonderful or meaningful. Death Proof is the crazy girl that ends up rocking/ruining your world. You have to sit through a bunch of weirdness and lame foreplay, but when she decides it's time to rock your world, SHE ROCKS YOUR FUCKING WORLD.
If the Academy didnt reward him for Pulp, I really dont see them ever awarding him for anything.
Haha, no, I was not overlooking you, dear Federman! I just felt that Edmond is something that would skew more towards Hyper's tastes than yours.
For you I would recommend something wild. Hit up some Suspiria or Deep Red! Although I think youve seen both.
Its on the list, I'll catch it soon, don't you worry.
and I, as well as every good EB-er shall, will go see Hot Fuzz as soon as I can.
but what if he doesn't do Inglorious Bastards next? What if he takes another five years to polish something else up to a fine sheen? Even his biggest fans (like me) would have to acknowlege that the guy isn't exactly prolific. Death Proof was a quickie project for him and that still took a long dang time.
scripts that are worked on "for a very long time" tend to suck due to the endless revisions, edits, and the general diffusion of the original spark. the best scripts are generally those like death proof: knocked out in a moment of brilliance.
Tarantino changes his mind and switches project ideas a lot. There is no telling what he will do untill he starts filming it. Hell, he has been rambling about a potential third kill bill for a little while now as well I think.
Quentin Tarantino said at the 2006 Comic Con that, after the completion of Grindhouse, he wants to make two anime Kill Bill films. One will be an origin story about Bill and his mentors, and the other will be an original tale starring The Bride.
I've already got the whole mythology: Sofie Fatale will get all of Bill's money. She'll raise Nikki, who'll take on The Bride. Nikki deserves her revenge every bit as much as The Bride deserved hers. I might even shoot a couple of scenes for it now so I can get the actresses while they're this age.
No that is different.QuoteQuentin Tarantino said at the 2006 Comic Con that, after the completion of Grindhouse, he wants to make two anime Kill Bill films. One will be an origin story about Bill and his mentors, and the other will be an original tale starring The Bride.
THIS is the sequel (quote from Tarantino what he has planned for the third movie)QuoteI've already got the whole mythology: Sofie Fatale will get all of Bill's money. She'll raise Nikki, who'll take on The Bride. Nikki deserves her revenge every bit as much as The Bride deserved hers. I might even shoot a couple of scenes for it now so I can get the actresses while they're this age.
Even his biggest fans (like me) would have to acknowlege that the guy isn't exactly prolific. Death Proof was a quickie project for him and that still took a long dang time.
scripts that are worked on "for a very long time" tend to suck due to the endless revisions, edits, and the general diffusion of the original spark. the best scripts are generally those like death proof: knocked out in a moment of brilliance.
I have a feeling Inglorious Bastards will be the definitive Tarantino film, and one even the Academy can not deny being awesome. He's worked on the screenplay for ten plus years, and I just can't help but feel REALLY PUMPED about this film.
I feel as if Inglorious Bastards is the project he needs to get out of the way so he can move on and make films on a more consistent basis.
That being said, I still have huge hopes for this project.
I feel as if Inglorious Bastards is the project he needs to get out of the way so he can move on and make films on a more consistent basis.
That being said, I still have huge hopes for this project.
?
I feel as if Inglorious Bastards is the project he needs to get out of the way so he can move on and make films on a more consistent basis.
That being said, I still have huge hopes for this project.
?
Have you not heard about Inglorious Bastards?
Basically it's Tarantino's take on a war film. During WWII, several dishonored US soldiers are given one more chance to succeed when they are given a mission in Nazi occupied France.
Tarantino made a crack at his Sergio Leone worship: "I thought about subtitling it Once Upon A Time In Nazi Occupied France"
7/10? Dude.... :((http://img237.imageshack.us/img237/1373/dorkshake2ur0kl8.jpg)
(http://img237.imageshack.us/img237/1373/dorkshake2ur0kl8.jpg)
Fights = boring? Dude, the final battle sequence is amazing, and one of the most cribbed in the history of cinema.
Often when characters die in the movie, I had to rewind it because they all looked the same.
Often when characters die in the movie, I had to rewind it because they all looked the same.
You fucking racist. >:(
And it's in black and white, omg
WOW. I STOLE THESE 2 GUNS FROM THE BANDITS BUT I WON'T USE THEM ONCE. Average fights.
Himuro is wrong and PD is predictably tasteless. Seven Samurai is grade A sex throughout. Its the least boring almost-4 hour film youll ever see. Not a second is wasted. Not to mention that it set the mold for pretty much every adventure/action movie since.QFT. The theatrical acting is probably it only fault but that is understandable for that time.
You haters! There would be no Leone westerns nor star wars without Kurosawa!
Seven Samurai is grade A sex throughout. Its the least boring almost-4 hour film youll ever see.
watch the hidden fortress, I bet you'd like it based on your complaints. It's a much shorter, "lighter" story. And its basically the same exact plot of Star Wars Episode IV.You haters! There would be no Leone westerns nor star wars without Kurosawa!
So? Just because it was influential then doesn't mean I have to think it's that great.Seven Samurai is grade A sex throughout. Its the least boring almost-4 hour film youll ever see.
While this may be true, I think Return of the King did a great job.
When watching "Seven Samurai," one must remember two things: The first is that Asian cinema has been at a great disadvantage to their western counterparts. At a time when Asia was still trying to come out of the shadow of World War II, America and other Western powers were already a dominant force in world cinema. The Asians had a hard time trying to find the balance between art and social commentary and simple entertainment.
The second thing to keep in mind is that before 1990 -- and even to a point after 1990 -- a lot of Asian films were shot on terrible filmstock. Many films were actually using filmstock that were dozens of years old. This usually resorted in grainy pictures and scratches on the film. Filmmaking was an expensive venture and required a lot of time and dedication, not to mention money. Which leads me to this conclusion: I cringe every time I see "Seven Samurai," because the filmstock is so bad that it tries its damnedest to destroy Akira Kurosawa's masterpiece. And let's not talk about the quality of film cameras available back then.
"Citizen Kane" is commonly regarded as the greatest movie ever made, especially in light of its time period and the many innovations that Welles pioneered. In that same light, "Seven Samurai" is one of the greatest, if not the greatest, Asian film ever made. Although, as prefaced, its grainy filmstock leaves a lot to be desired. Unlike Welles, Kurosawa had neither the budget nor the technical resources at his disposal to film the movie the way he might have wanted to. Anyone who has seen Kurosawa's later samurai work understands that the man had a great eye for cinematography.
I'm going to watch Ikiru and Yojimbo in a few minutes.Ikiru is amazing, it is not a samurai film. It is a slow lengthy drama about cancer and dealing with death. But it is PERFECT.
The fact that you LIKED the dance segment makes me very sad, very sad indeed.What was wrong with it? It was one of the best moments of the trilogy, period. Disco Peter (NOT EMO!) was perfection.
Solo, why do you attribute the best parts of 2 to Sargent? Michael Chabon and a bunch of other writers worked on the Spider-Man 2 script. How do you distinguish his contributions from everyone else's?
The fact that you LIKED the dance segment makes me very sad, very sad indeed.
It's nigh UNWATCHABLE for people going into the movie without knowing. I'm sorry, but it's just embarrassing seing that unfold–Evil Spidey shouldn't have been a party animal, he should've been a fucking pariah. You know, where people start ousting him, going against him–the whole public, not just Mary-Jane. That whole Saturday Night Fever shit makes him look like a freakin' comedian. I know that Sam likes to put some comedy into his movies, and I enjoyed the parts of Spider-man 2 where it was evident. But this was "holy christ make it stop" worthy. It was boring, it was embarrassing, and it was sad.But he wasn't EVIL spider-man. The suit did not make him evil or emo. It made him overly-confident. Thus the flirting with Betty and Cake Girl..etc
Can you tell me more about Marvel's pres forcing Raimi to put Venom in to the film? I never heard of that announcement.
Sam even admitted it in a interview. He said Arad told him to include more characters "the fans" wanted like gwen and venom.Can you tell me more about Marvel's pres forcing Raimi to put Venom in to the film? I never heard of that announcement.
Sam loves the classic villains, and has said so since S-M1 commenced. Sam hates the newer ones, like Venom, and has said so since S-M1 commenced, as well as saying he would never do a Venom movie. All of a sudden we get Venom in S-M3. Turns out this was Avi Arad meddling, who forced both Venom and Gwen Stacey into the film. Sam just wanted Harry and Sandman, which would have effectively cut out half the plot threads, and made for a much simpler, and better film (more time to fully develop characters, resolve everything, etc). I mean look at 1 and 2, both of which were deceptively simple and wildly successful.
Blood Diamond (Zwick, 2006) - 8/10
A manipulative movie, with a lot of creative liberties taken, but continuously engaging nonetheless, and anchored by a solid lead performance. Yep, sounds like an Edward Zwick film to me. Keeping up with his tradition of making fairly Hollywood films about fairly non-Hollywood topics of controversy, Zwick delivers his most compelling work since Glory. Blood Diamond tells two tales: one about the world of conflict diamonds, in which human life has little value, and one about real characters with real flaws, which is ultimately a redemption story. The latter is infinitely more intriguing. I've never had a problem with Zwick as a director on the technical side of things, and that trend holds here. The film is well made, and Zwick knows how to shoot everything from bombastic action scenes to simple character moments. James Newton Howard's score is very nice, if totally unmemorable. The cinematography is fantastic, as are the sets and costumes. In other words, the film really delivers on the visual side of things. The script seems pretty standard for this type of film, but there is a bit of beathing room in it, and it occasionally hits the viewer with some hilarious, totally unexpected laughs. What really elevates the film a few notches though are the performances, and namely the one delivered by Leonardo Dicaprio. 2006 really was the year of Leo, and after seeing this film, I believe the Academy nominated him for the correct movie. Everything from his accent to his look to his mannerisms just clicked perfectly for me, and it is really refeshing to finally see DiCaprio as a man instead of a teen heart throb. His work alone is worth seeing the film for, and his performance is really the heart and soul of the movie. Blood Diamond is an average film on paper, elevated on the silver screen by some nice direction, great visuals, several genuinely emotional scenes, and a stellar lead performance.
What if what he wants to do is...you? :o:hump
What if what he wants to do is...you? :o:hump
What if what he wants to do is...you? :o:hump
Cheebs, I have a secret to tell you. My name is Alfonso Cuaron. :-*
I saw V for Vendetta last night while all my friends were asleep.
Horrible movie. I felt like I was being brainwashed the entire time, and getting taught a crash course on literature and music on the side. FIGHT THE POWER
And that last "stand" by V with the slowmo slicing of their throats was hilarious.
OHHHHH SHHHHIIIII -slice-
zzz
Pan's Labyrinth (Del Toro, 2006)
I loved the movie last year when I saw it in the theater; now on DVD, Pan's Labyrinth remains a great film, and I actually enjoyed it more on this second viewing. It is truly a fantasy masterpiece.
Some of our more juvenile members have complained that the fantasy elements were too few, but I strongly disagree. The movie is able to walk a thin line while balancing both elements, which truly compliment each other.
Del Toro has created a wonderfully diverse world - fantasy and reality. Technically the film is quite impressive, but not like Children of Men, for instance. Del Toro still manages to impress, especially in the frightening Pale Man scene, which actually had my heart pumping despite having seen it before.
Overall this is a beautiful film, and I am truly glad that it was rewarded for its excellence with three Academy Awards; going into the Oscars it looked like Dreamgirls was going to sweep up all the costume/makeup/etc awards, but luckily the voters made the right decision. It's a shame this movie wasn't more popular in the US box office.
New rating:9.5/10
Previous rating: 9/10
The whole movie was about Tommy finally excepting death, which in turn finally allows him to reach enlightenment, and live forever
Like I said about the westerns, once I get through my current backlog, I will move on to other stuff. I am almost there.
I think it's wrong to imply that change is coming...and I don't think the movie means to imply that the time of fascism is ending. At the time the movie is taking place, the civil war has just ended. Spain has pretty much stayed out of World War II (so they won't benefit from the reconstruction that will happen in the wake of the Allies' victory in the coming year), and things are about to stay really shitty for a long, long time. As far as the time period depicted in the film is concerned, the face of Vidal IS the face of the future.
I think the movie requires knowledge of historical context just as much as, say, Once Upon a Time in the West, which deals with western expansionism.
I think that, to say that "the history in Pan's Labyrinth doesn't really matter in the context of the story" is to completely miss the point of the movie.
The camera work during some of the fight scenes is quite bad shaky, and I actually found the beginning of the movie (in the prison) to be badThe first half was by far the strongest half of the film. :punch
You have to have action in a comic book movie. I DON'T MAKE THE RULES.Who does?
actually, the greatest superhero movie is s-m2I love both, let me be
Good to see someone else willing to give BB a score lower than 9. It's a great comic movie, but it's an 8.5 imo. The camera work during some of the fight scenes is quite bad shaky, and I actually found the beginning of the movie (in the prison) to be bad
Just got back from POTC3 :-\:)
dude, PD, that bad?
fuck. fuck. for reference, what did you give 1 and 2?
Hell, even Mic Jagger wasn't that impressive to me
"The Big Fat Kill" was distinguished mentally-challenged and uncomfortable.
What follows is a series of backstabbings and new plot revelations, all of which feel as if the writers simply made them up as they went.
What follows is a series of backstabbings and new plot revelations, all of which feel as if the writers simply made them up as they went.
They did.
Um well I just seen Star Wars(EP4) and it was pretty good.My only problem was the way Obi-Wan died....it looked REALLY odd but the special effects for a movie that was made in 77 are quite spectacular.Thankfully episodes 5 & 6 are coming on in a week or two.it looked odd because he didn't die in a normal way. Wait for the next movie, you'll see him. Jedi who become ghosts have their body dissapear.
Luke likes Leia.LOL UNKNOWN INCEST.
If I wrote the movie I would get rid of half of that switching sides shit, giant lady...etc nonsense. And get rid of everything to do with the asian guys.
Instead have Barbossa, Will, & Elizabeth go to Jack's DAD at the start telling him what happened and asking for a ship from HIM to go get Jack. But he'd go along to save his son (with a more exciting rescue) and most of the focus would be on Depp and Richards playing off one another throughout the film. In the final act Davey Jones instead of killing Will would kill Keith Richard's sending Sparrow off the deep end and giving him some real reason to want to kill Davey Jones other than *maybe* *considering* taking his heart which was his cheesey motivation in this movie.
But that's me.
Yes it is cliche but pirates is at it's core, a family movie. Keith Richards is a father figure to Johnny Depp in real life and they have been very close for many many years. They could play off eachother so well if given the room to do so and given richards more than one line due to their real life relaitonship.If I wrote the movie I would get rid of half of that switching sides shit, giant lady...etc nonsense. And get rid of everything to do with the asian guys.
Instead have Barbossa, Will, & Elizabeth go to Jack's DAD at the start telling him what happened and asking for a ship from HIM to go get Jack. But he'd go along to save his son (with a more exciting rescue) and most of the focus would be on Depp and Richards playing off one another throughout the film. In the final act Davey Jones instead of killing Will would kill Keith Richard's sending Sparrow off the deep end and giving him some real reason to want to kill Davey Jones other than *maybe* *considering* taking his heart which was his cheesey motivation in this movie.
But that's me.
Cliche but much better than the actual "plot". I've never seen a movie series with such a stupid villian with no backstory. He should have had a better "second in command" guy than that assassin.
The Fountain (Aronofsky, 2006)
I will forever remember 2006 as the year that introduced me to a variety of films which greatly impressed me. From The Departed to Children of Men, that year was filled with movies that entertained me and made me think. After viewing The Fountain it is clear that I have to add another film to this great list of 2006 films.
There isn't much I can say that Solo hasn't already. But first, The Fountain is not what you think it is. It is not a tale of space travel, or of religion. It is all of these things, but none of them at the same time. At its heart the movie is a tale of love and death. Hugh Jackman plays a doctor trying to cure his ailing wife from the oldest "disease" in human history: death. This journey mimics that of the main character in a book she is writing, and throughout the movie these two stories interweave. While sometimes it may seem confusing, the themes between both stories stay the same.
The movie dwells on issues of life and death, and the connection between these opposite forces. The religious theme of "life through death" is throughly explored, for it is through this realization that we truly find the meaning of life. Death is not the end, and this truth is not discovered in the lab or hospital - it is a realization of self we must all face one day, within ourselves. These Gnostic themes becomes the key to understanding the film's depth.
As Solo said earlier, Jackman's performance is quite impressive. By the end of the movie his acting range and depth are put on display in grand fashion; much of the movie focuses on him, and he proves himself more than capible of holding it together. Rachel Weisz also provides an emotional anchor for the movie, and her chemistry with Jackman helps to make everything work. Meanwhile I found the actual directing to be well done. This is the first Aronofsky film I have ever seen, and I feel he did a good job at keeping things focused and coherant; it would be quite easy to get lost in movie of this magnitude, but by the end you should be left with a feeling of understanding and satisfaction.
Overall I thought this was a great, great film. As I said earlier, this is not a mere space travel movie, if one at all. This fact has left some upset, but I would contend that something as fictitious as time travel would only serve to cheapen the reality the movie depicts.
9.5/10
Please. I dare you to criticize that review. It hits the nail right on the head, and isn't much different than Solo's, who also seemed to "get" the movie far more than you.
Mulholland Drive (Lynch, 2001)that was a quick avatar change.
Today I had the pleasure of losing my David Lynch film virginity. It was a wonderful cherry popper too. I have always wished to watch a film of his, and Mulholland Drive has been on my list for ages. I popped the dvd with no expectations, no knowledge regarding the film other than it weirds people out, and other than connecting the street of the same name, I had previously no knowledge whatsoever regarding the movie's story. I felt as if I was a Cheshire cat pumpkin coming out of the picture. It makes me beam with admiration that someone could come up with such a beautiful story, but it depresses me so much and makes me raw with emotion; cut from emotional twists and knifings done to my other wise hard exterior, but still with a smile on my face.
I was not always so keen on the acting. Up until the last half of the movie, the acting felt quite forced in my opinion. I'm not exactly sure what it was - either the dialogue or the way the actors played their parts gave me this feeling, or whether it was all done on purpose to give a dream like quality - but it all turns out okay. The real meat of the film is how Lynch uses the movie to manipulate the viewers and requires the watcher to play an active role in putting the film in the right order. I am not sure if this is the right comparison, but it's like a Tarantino movie (Pulp Fiction, Kill Bill vol 1 and 2) with a new found emphasis on subtlety, symbolism, and thematic situations that help create a much richer, deeper film than anything Tarantino can ever muster.
To divulge in the plot would only spoil it for someone else, but Mulholland Drive is a treat. It, like 2001: A Space Odyssey does not treat the viewer like a simpleton; it does not insult your intelligence, in fact, it requires it. However, the movie never comes off as pretentious or full of itself like many stories that try to come off as deep and pass off subtlety as story depth (Xenosaga games being the top ones). I really enjoyed this movie and it was like none other. A masterpiece in the thriller genre that may have even topped Jacob's Ladder. I am usually not one to use hyperbole when it comes to film, but this may be in my top 20 already. I sent the dvd in the mail right when I finished it just so I can get movies asap from netflix. I plan on buying the dvd as soon as possible.
9.5/10
Blue Velvet is on its way along with Blood Diamond. I'll move the other Lynch stuff to the top of my queue. Just make suggestions.
How many seasons are there?two seasons he later did a film prequel to it (but not as good as the series)
But still good?Yes it is still good, it is worth watching obviously. The TV show should be seen first however.
I'll watch the tv series and then check out the prequel.
I like my reviews to equate directly to the SUX/ROX scale.
The Braveheart speech was so sexy.
At least 300 had like a million decapitations to cover its FREEEEEEDDDDDDDDDOOOOOOOOOOOOOOOOOMMMMMMMMMMMM speech.
If Transformers suck, this could be the worst summer ever. Help us SpielBay, you're our only hope!
If Transformers suck, this could be the worst summer ever. Help us SpielBay, you're our only hope!
2008. JUST WAIT.
Iron Man :-\
The Dark Knight :heart :heartbeat :heartbeat
Indiana Jones 4 (I know but still will be better than the 2007 offerings) :maf
you are like the only person on the internet who doesnt think Iron Man will be one of the better comic book movies.If Transformers suck, this could be the worst summer ever. Help us SpielBay, you're our only hope!
2008. JUST WAIT.
Iron Man :-\
The Dark Knight :heart :heartbeat :heartbeat
Indiana Jones 4 (I know but still will be better than the 2007 offerings) :maf
Fixed
you are like the only person on the internet who doesnt think Iron Man will be one of the better comic book movies.If Transformers suck, this could be the worst summer ever. Help us SpielBay, you're our only hope!
2008. JUST WAIT.
Iron Man :-\
The Dark Knight :heart :heartbeat :heartbeat
Indiana Jones 4 (I know but still will be better than the 2007 offerings) :maf
Fixed
except it does. Made was very good. And the best part of Elf was its direction and style.you are like the only person on the internet who doesnt think Iron Man will be one of the better comic book movies.If Transformers suck, this could be the worst summer ever. Help us SpielBay, you're our only hope!
2008. JUST WAIT.
Iron Man :-\
The Dark Knight :heart :heartbeat :heartbeat
Indiana Jones 4 (I know but still will be better than the 2007 offerings) :maf
Fixed
I smell another Hulk. Lots of hype, lots of good actors. Except this doesn't have a good director.
Elf? Ah, the Ferrrel abortion? I will never see that movie, nor any Ferrrel motion picturehow do you know if it is a abortion then? You bash Kingdom of Heaven with never seeing it as well.
Let me borrow KOHwait
And after that you'll let me borrow it?I need a traditional PD style review to go along with it, and you better watch it for real!
Let me borrow KOHwait
first watch ANCHORMAN
lol, according to roger ebert: dh2>dh3>dh1
when is he going to review dh4? he doesn't seem to review that many movies lately, i guess he's still recovering.
I also enjoyed The Hills Have Eyes remake. Aja is probably the most talented of the new horror directors. It also gives off a real Evil Dead vibe.
I don't think it's that similar to Wrong Turn. Did you ever see Aja's debut flick, High Tension, Solo? It's pretty good. I really wish they'd make more stuff like that here. I know a lot of folks see it as a draw as to whom is the best new genre director - Eli Roth or Zombie or Aja. But to me, it's not even a contest. Roth is potential never fulfilled and his ego rivals Tarantino, but his filmography isn't good enough to lick Tarantino's ball sweat. Zombie is getting better, but his films aren't very enjoyable or original. Aja has put out two quality genre films back-to-back, one of which I walked in wanting to hate because it was a horror remake.
McTiernan doesnt get anywheres near enough recognition as far as Im concerned. I loved his DH movies and Red October, and really liked Predator and the Thomas Crown remake.
Willco: I could actually see it. I mean, McTiernan seems to be clear of his troubles now, and after the PG-13 debacle, Bruce may wanna give er one more go, and McTiernan seems to do the odd numbered ones.
DH5: McTiernan + Willis + a Gruber = cinema gold in 2012. Believe!
Willco: I could actually see it. I mean, McTiernan seems to be clear of his troubles now, and after the PG-13 debacle, Bruce may wanna give er one more go, and McTiernan seems to do the odd numbered ones.
DH5: McTiernan + Willis + a Gruber = cinema gold in 2012. Believe!
First, debacle? Don't act like you are in the majority on this. DH4 got solid reviews and is having suprisingly good word of mouth at the box office.
Also Willis has said he wants to do part 5 after this, and with 4 easily making back it's budget soon, it wll happen.
And really, would it have killed Bruce to sport a wig and a wife beater?
it was already in theatre 10 at my multiplex, which is the last theatre and means it will be gone soon.well that may be canada. The movie is BEATING expectations overall here. It is doing better numbers than predicted due to strong WOM and should easily top Die Hard 2 and be the most successful film in the franchise (non-inflated obviously) earning back it's budget and then some with over 120-130 million. As of 4th of July it's made nearly 70 million.
i don't really see what the big deal is with a bald john mcclane. willis has gotten older and he looks awesome as a bald mcclane. his hair looked weird in 16 blocks, i dunno if that was a wig or not but i prefer him bald nowadays.
And really, would it have killed Bruce to sport a wig and a wife beater?
i don't really see what the big deal is with a bald john mcclane. willis has gotten older and he looks awesome as a bald mcclane. his hair looked weird in 16 blocks, i dunno if that was a wig or not but i prefer him bald nowadays.
But why would he have to keep his hair? Like I said today it is VERY normal for white guys who are going bald to shave it all off.And really, would it have killed Bruce to sport a wig and a wife beater?
i don't really see what the big deal is with a bald john mcclane. willis has gotten older and he looks awesome as a bald mcclane. his hair looked weird in 16 blocks, i dunno if that was a wig or not but i prefer him bald nowadays.
He looked weird in that movie because he had that awful moustache. Again, the hair/beater combo would go that extra mile in adding some sense of continuity/this actually being a DH movie. As it stands, it sure as hell didnt feel like one.
And really, would it have killed Bruce to sport a wig and a wife beater?
i don't really see what the big deal is with a bald john mcclane. willis has gotten older and he looks awesome as a bald mcclane. his hair looked weird in 16 blocks, i dunno if that was a wig or not but i prefer him bald nowadays.
He looked weird in that movie because he had that awful moustache. Again, the hair/beater combo would go that extra mile in adding some sense of continuity/this actually being a DH movie. As it stands, it sure as hell didnt feel like one.
I'm sorry, but that film has not aged well at all. The last twenty minutes of the film are nearly unwatchable with the green screen stop motion effects. It absolutely destroys all the tension in that film.
I cant see that happening. Transformers is a popcorn flick, nothing wrong with that. Cameron's movies are also popcorn flicks for the most part, but theres always something else, something deeper at work.
Transformers is a pretty low bar
I havent watched TL in years. Thankfully, since Ive been revisiting the Cameron filmography, I will be seeing it again soon.
Yea, good order there, although I haven't seen The Abyss in so long and don't remember any of it.
paper thin story and shoddy character development
I am down with that, if only because I pretty much hate Titanic. True Lies bugs me because it's like half comedy, half SERIOS ACTION (and in that order). It doesn't really know what kind of film it wants to be.
So because Transformers was bad for a shorter period of time it gets a better grade? B- is way to high for such shallow trash.
I told you, Hot Fuzz will be THE movie of 07, just like Shaun was for its year.
Nope, will be. Guaranteed.
The Rush Hour 3 trailer had two moderately funny bits, the rest was crickets. And that was the trailer!
I probably like them both the same. Transformers is pretty much the same comedy/action tone throughout, but it does feel Spielbergian at times. It doesn't have the identity crisis that True Lies has.
And Transformers was never bad over any period of time.
What, True Lies isn't that great. I like the rest of Cameron's filmography, with the exception of Titanic, but if you're asking me which I enjoyed more - the Bay-helmed popcorn flick about giant transforming robots or the decent action flick with weird pacing/tone/structure issues, I pick ROBOTS.
Not really. I like them both about the same, though. :P
True Lies is a fun movie, but it's a generic action movie. If I didn't know better, I wouldn't have ever guessed Cameron was behind it.
True Lies is a fun movie, but it's a generic action movie. If I didn't know better, I wouldn't have ever guessed Cameron was behind it.
Man, I wanted to pound Jamie Lee so hot before I realized it wasn't an underdeveloped man.
Jamie Lee Curtis is a MILF.
Oh. TL > TF
What's better, The Unbearable Lightness of Being or Transformers? :-*
What's better, The Unbearable Lightness of Being or Transformers? :-*
Footloose
:-X
I bought Brazil, hopefully watch it tomorrow.
Hey Solo, how do you feel about Armageddon and The Island?
you DO know that apocalypse now is based on the joseph conrad novel "heart of darkness" right
you DO know that apocalypse now is based on the joseph conrad novel "heart of darkness" right
amazing review, just like your taste in films.
Spider-Man 3 is the typical case of a good movie that stands well on its own, but when serving as an end to the great American film saga, fails miserably. Its a good movie, but when stacked up against 2 undeniable masterpieces, it looks inferior.
I just seen The Departed.I don't think I've ever seen so much blood in a non-horror movie before and LOL at the end.new to the "gangster" sub-genre I take it eh?
I just seen The Departed.I don't think I've ever seen so much blood in a non-horror movie before and LOL at the end.new to the "gangster" sub-genre I take it eh?
The Aviator (Scorsese, 2004)
I was quite apprehensive about watching this. Forced accents become an annoyance to me, especially when they're inconsistent or extremely over-the-top. But I must say that overall the southern accents didn't hurt the film's quality for me. To me, a great biopic film should introduce characters or events that are told so well that I feel compelled to search for the real story. After seeing this I've become quite interested in Hughes, and I've since began to read more information on his life. The film is quite tragic, detailing the life of a man bent on mastering something so un-natural to humans (flying) while being pulled back down to earth by crippling human illness. While Leo is definitely great in the main role, I was blown away by Blanchett's larger than life (or over the top, depending on how you see it) portrayal of Katharine Hepburn.
9/10
Cape Fear (Scorsese, 1991)
I am ashamed to admit that I've never seen the original. While DeNiro's performance is great, the film seemed to fail on many levels. DeNiro's character is menacing, a true monster - but I never truly felt any emotion for the family he terrorizes. I watched with a wandering indifference. Scorsese's handling of the watery climax also seemed...off; it felt too manufactured for me. The film's only saving grace comes from the nice performances throughout it.
6/10
i saw carlito's way today. it was much better than i expected and the chase scene in the train station was awesome.
carlito :'(
No, I meant what I said. I said I like Dawn of the Dead more than Carpenter's original (meaning Halloween). I probably should of phrased that better. But to me, Dawn of the Dead is more than just a damn fine horror film, because Romero always puts his social commentaries under the gore. Carpenter's Halloween is just one of the slickest horror films ever - the ultimate ride.
Also, on a technical level, Snyder and Aja are so far ahead of Zombie it's not even fair.
That's why I'm surprised that considering this and the fact that you like Carpenter's Halloween even more than I do, how you can let this kidney punch slide.
It's only rivaled by Cronenberg's The Fly in terms of the gap in quality between the remake and the original