Author Topic: Solo does the movies, PD farts in his general direction with his appalling taste  (Read 53193 times)

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Robo

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My only worry is that Favreau is going to flub Iron Man's action sequences.  He hasn't done anything to prove that he's capable of handling action well, so I think it's a valid concern.  Otherwise, he's a fine choice.
obo

Cheebs

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Elf? Ah, the Ferrrel abortion? I will never see that movie, nor any Ferrrel motion picture
how do you know if it is a abortion then? You bash Kingdom of Heaven with never seeing it as well.

Phoenix Dark

  • I got no game it's just some bitches understand my story
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Let me borrow KOH
010

Cheebs

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Phoenix Dark

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And after that you'll let me borrow it?
010

Cheebs

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And after that you'll let me borrow it?
I need a traditional PD style review to go along with it, and you better watch it for real!

CajoleJuice

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Did I hear BOURNE
AMC

Phoenix Dark

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WE'LL FIND THE GIRL, BOURNE

NO, SHE'S NEXT TO YOU

*MIND BLOWN*
010

TVC15

  • Laugh when you can, it’s cheap medicine -LB
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PD, if you actually watched Blue Velvet and Wild at Heart, review them.  Or I will just assume you are lying.
serge

Phoenix Dark

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I am lying. But the point is I expect a 9.5 movie. It will be mine tomorrow (blue velvet)
010

Cheebs

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what the fuck

etiolate

  • Senior Member
POTC1 >POTC3>POTC2

Is the proper order.

brawndolicious

  • Nylonhilist
  • Senior Member
well they're all shit.

I had to put EFFORT into liking them and they're summer movies.

Solo

  • Senior Member
A Fistful Of Dollars (Leone, 1964) - 8.5/10

Eat your heart out, Yojimbo! Sergio Leone crafts a superior remake, redefines the entire western genre, and creates the action hero all with one swift, 100 minute long little slice of cinema. Unlike his work that would follow, Leone isn't trying to say anything here or make any grand commentary - he is simply content to remake Kurosawa's film, set in the west, with a mysterious gunslinger leading the charge. Oh, and he may just have turned a few genre conventions on their heads, and totally revolutionized what a "western" could be along the way. There is no sentimentality to be found here, no clear-cut black and white, no John Wayne riding off into the sunset. The film is raw and brutal, morally grey, and littered with dark humour. Clint Eastwood is the epitome of cool, and deserves a lot of credit for the way the character turned out, by insisting to cut lots of his dialogue out, and using much of his own gear to craft the famous look and style of "The Man With No Name". Leone's style isn't as fully evolved and bombastic as it would eventually become, but it's still instantly recognizable and totally unforgettable, just like this film. Highly recommended!

Ichirou

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You never posted anything in my film noir thread. :(
PS4

Solo

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Sorry old chap. I am going to watch Dark Passage or Key Largo very soon, so I can post about those in there.

Ichirou

  • Merry Christmas
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Ever the Bogey & Bacall fan! :)
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Solo

  • Senior Member
My favorite screen couple ever! I guess them being a real life couple too really helped with that chemistry.

Ichirou

  • Merry Christmas
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The thing about Bogey & Bacall is that I don't really like Bacall at all, so the duo doesn't really work for me.  I just think she's a poor actress.  :-\
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Solo

  • Senior Member
I think she worked well in the noir era, as that sort of flat, brassy tone of voice and style was a good fit. In other stuff? Yes, I would agree that shes not a fantastic actress by any means.

Ichirou

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I remember when she was nominated for best actress or best supporting actress for Love Affair, and you could tell from the pre-Oscar interviews that she thought she was going to win it because she was basically Hollywood royalty at that point, one of the old guard.  Then the winner was announced and it was Juliette Binoche, and I could have sworn Bacall was going to drop dead right then and there.
PS4

Solo

  • Senior Member
For A Few Dollars More (Leone, 1965) - 9/10

This is the film where Sergio Leone's iconic style really took off and became its own entity. With a higher budget and more clout, Leone began to experiment with two things that would become his trademarks: interesting framing (often shots contained tight close-ups and panoramic views at the same time) and long sequences that were mostly exercises in style (and sometimes not relevant to the rest of the film). The film also marks one of the very first great Morricone scores, which is unforgettable, and has been copied a thousand times over since. Where the first film was Clint Eastwood's show, and the third film would become Eli Wallach's coming out party, this second film really belongs to Lee Van Cleef. A career character actor, he had never done a role with as much dialogue, yet he totally knocks the character of Colonel Mortimer out of the park (which subsequently made him somewhat of a movie star in Europe). It is his work, and the great chemistry exhibited between him and Eastwood, as mentor and pupil, that really holds the film together. Finally, the film contains the obvious prototype for the famous duel that would occur in Leone's next film. The one contained here is shorter, yet packs more of an emotional punch. This film serves as a great bridge from Leone's small previous works to his future epics. Highly recommended.

bud

  • a smudge of excrement on a tissue surging out to sea with a million tons of raw sewage
  • Senior Member
Let me borrow KOH
wait
first watch ANCHORMAN

anchorman is one of the best dumb comedy movies ever. i love it.
zzz

Solo

  • Senior Member
Terminator 2: Judgment Day (Cameron, 1991) - 9/10

From the opening at the biker bar to the steel plant finale, T2 remains perhaps the best foray into the sci-fi/action hybrid genre ever crafted. One thing that really struck me while viewing the film for the first time in a couple of years is just how talented of a man James Cameron is. He obviously wrote the film, his direction is top-notch (I really noticed a brilliance in the way he jumps from scene to scene that I had never picked up on before), and I can't really think of anyone who understands special effects better, both in their technicalities, and in how they should be used. It actually made me a bit sad to watch this movie, knowing that Cameron would go on to eventually piss away a decade at the peak of his career shooting a couple of shipwreck documentaries. Nevertheless, this is the man at his peak. Despite all the effects and sci-fi trappings, the man is more than anything a master storyteller. The film is completely engaging on several different levels, and the plot and themes of this series have always intrigued me, and continue to do so to this day. It is funny to say due to the film's relatively young age, but they really don't make movies like this anymore, which is a damn shame. Highly recommended.

bud

  • a smudge of excrement on a tissue surging out to sea with a million tons of raw sewage
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james cameron is one of the best sci-fi directors working today and i can't wait for avatar.
zzz

Cheebs

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Cameron is a fantastic director, I can't wait for Avatar either.

The Terminator: 9.5/10
Terminator 2: 9/10
True Lies: 9/10
The Abyss: 9/10

FANTASTIC movies, all of them (I haven't seen titanic in years, no idea what I'd give it now. It is over-rated though)

bud

  • a smudge of excrement on a tissue surging out to sea with a million tons of raw sewage
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i always end up watching titanic whenever it's on tv :-*

it's not an oscar-worthy movie but it was nice
zzz

Cheebs

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Eh, I get why it won the oscar. Making 600 million in USA is something so iconic you can't really ignore it.

Same with Lord of the Rings ROTK, Lost In Translation was far and away the oscar crazy members likely pick that year but due to LOTR's iconic boxoffice and mainstream appeal they could not ignore it.

CajoleJuice

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T2 needs no review.
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Solo

  • Senior Member
Yet it got one anyways  :P

bud

  • a smudge of excrement on a tissue surging out to sea with a million tons of raw sewage
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lol, according to roger ebert: dh2>dh3>dh1

when is he going to review dh4? he doesn't seem to review that many movies lately, i guess he's still recovering.
zzz

CajoleJuice

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lol, according to roger ebert: dh2>dh3>dh1

when is he going to review dh4? he doesn't seem to review that many movies lately, i guess he's still recovering.

Wow. That's completely backwards. :lol
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bud

  • a smudge of excrement on a tissue surging out to sea with a million tons of raw sewage
  • Senior Member
some people on gaf are saying that dh4>dh3 :o
zzz

Solo

  • Senior Member
I'll catch DH4 next week. Not expecting much, but I'll give it a go.

Solo

  • Senior Member
The Hills Have Eyes (Aja, 2006) - 8/10

Still easily my favorite of the horde of horror remakes in the past decade. Enjoyed it just as much yesterday as I did when I first watched it a year ago. Features some great, inventive kills (often involving axes), and several genuinely disturbing scenes (the trailer rape comes to mind). Also has a pretty kickass score (which sounds a little Morricone-inspired at times), and surprisingly great cinematography for a horror movie. I also liked the little backstory on the baddies being nuclear weapon radiation freaks (and the make-up job on most of them is incredible). There isn't much more to say, as the film is pretty superficial, but I will say that it delivers several scenes that inspire you to cheer out loud for the good guys, which is a rare thing to find in modern horror movies. It is short and sweet, doesn't outstay its welcome, and offers a ton of intensity and badass carnage.

Ichirou

  • Merry Christmas
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My latest reviews:

Die Hard 4.0 (Wiseman, 2007): Fucking sucked.

Pirates of the Caribbean - At World's End (Verbinski, 2007): Fucking sucked.

What a shitty year for movies so far.  Thank goodness for Spider-Man 3 (not inviting debate, I know a lot of you douches hate it).  I fully expect Transformers to suck ass as well.
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Solo

  • Senior Member
Ichi has returned!

The Fake Shemp

  • Ebola Carrier
I also enjoyed The Hills Have Eyes remake.  Aja is probably the most talented of the new horror directors.  It also gives off a real Evil Dead vibe.
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bud

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wrong turn is a similar movie and i liked it the first time but hated it the 2nd time i saw it
zzz

The Fake Shemp

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I don't think it's that similar to Wrong Turn.  Did you ever see Aja's debut flick, High Tension, Solo?  It's pretty good.  I really wish they'd make more stuff like that here.  I know a lot of folks see it as a draw as to whom is the best new genre director - Eli Roth or Zombie or Aja.  But to me, it's not even a contest.  Roth is potential never fulfilled and his ego rivals Tarantino, but his filmography isn't good enough to lick Tarantino's ball sweat.  Zombie is getting better, but his films aren't very enjoyable or original.  Aja has put out two quality genre films back-to-back, one of which I walked in wanting to hate because it was a horror remake.
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Bloodwake

  • Legend in his own mind
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The Hills Have Eyes remake actually was really good, I was extremely surprised by how good it was.
HLR

Solo

  • Senior Member
I also enjoyed The Hills Have Eyes remake.  Aja is probably the most talented of the new horror directors.  It also gives off a real Evil Dead vibe.

Indeed. I feel the exact same, especially about Aja being the most talented horror director currently working.

I don't think it's that similar to Wrong Turn.  Did you ever see Aja's debut flick, High Tension, Solo?  It's pretty good.  I really wish they'd make more stuff like that here.  I know a lot of folks see it as a draw as to whom is the best new genre director - Eli Roth or Zombie or Aja.  But to me, it's not even a contest.  Roth is potential never fulfilled and his ego rivals Tarantino, but his filmography isn't good enough to lick Tarantino's ball sweat.  Zombie is getting better, but his films aren't very enjoyable or original.  Aja has put out two quality genre films back-to-back, one of which I walked in wanting to hate because it was a horror remake.

Yeah, I loved Haute Tension too. I liked Hills even more, though. Roth to me is a joke. Zombie I am becoming a fan of, having hated his first film, but loving The Devil's Rejects.

Solo

  • Senior Member
Aliens (Cameron, 1986) - 7.5/10

Inferior in virtually every way to Ridley Scott's original sci-fi/horror film, James Cameron's sci-fi/action sequel is still pretty incredible in its own right, and strives for different things. The first film was a suspenseful game of cat and mouse, while this one is a more epic, balls to the wall action movie (and in fact, may actually be the very first example of the big, dumb action movie; it also became apparent during this viewing how much Halo ripped off this movie). James Cameron needs to make more movies. I always love the look his films have, and his direction, both of which are in top form here. He masterfully handles a large cast of characters and does a good job of making use of what must have been a fairly sparse budget, by not showing the aliens any more than he has to. The aliens themselves are classic Stan Winston creations, and look very cool. Sigourney Weaver is great as ever as Ripley, who finally starts kicking ass in this one. Inferior sequel, but a great action movie nonetheless, Aliens is totally worth a watch.

EvilBoris

  • Member
 Aliens needs no review.

Solo

  • Senior Member
Nor does Cajole Juice need to be re-quoted. Yet, here we stand.

Ichirou

  • Merry Christmas
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Aliens and Alien are about equal, in my estimation.  They're just two completely different types of movies.
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Solo

  • Senior Member
Live Free Or Die Hard (Wiseman, 2007) - 5/10

Newsflash to all the fans of this franchise who cried foul over the PG-13 rating: it didn't matter. No amount of F-bombs or violence in an R-rated cut could have saved this wretch of a movie. Theres no point in going over what paper-thin of a plot there is, so let us just get down to it. This is standard action fare, with under-developed villains that you can't even be bothered to hate. There is no masterful Alan Rickman/Hans Gruber to be found here. As mentioned, the plot is stupid and forgettable. The film itself is incredibly sloppily made. There are the much maligned dubs and ADR issues, but there are other problems too. Len Wiseman isn't much of a director, and his action scenes are unspectacular and unengaging to watch. The cinematography is downright amateurish, and it is always bad when you find yourself noting how bad a shot is framed, instead of being locked into the action onscreen. The editing is also pretty terrible, and there were several times in which it appeared they cut out several minutes between scenes. The one saving grace for the movie was Bruce Willis, who still has it. Watching him fire off wisecracks and cackle like a madman throughout the carnage was a joy to watch. His performance alone gets the movie the points I have awarded. In the end, all this pointless sequel achieved was the same thing the other pointless sequels to this franchise achieved, which is to reiterate just how incredible the original film was, and still is.

The Fake Shemp

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Damn, I would've given it a SIX myself because he beat up a girl.
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Solo

  • Senior Member
Hah, a valid point Mr. Federman  :lol

The Fake Shemp

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Seriously, though, that part was pretty great.  I wish more action films had male-on-female brutality.  It is definite an awful Die Hard sequel, but I can't say that taken for a Bruce Willis 90s actioneer throwback that it's not fun.  Definitely a movie I walked out of saying, "Meh, it's alright."
PSP

Solo

  • Senior Member
Yeah, like I said, Willis is the only thing that kept this afloat. He had my sides hurting a couple of times from laughing. I really liked him as the dude living in 2007 who is stuck in 1987.

Transformers is now the last bastion of hope for a decent action movie this summer. If that doesnt do it, this may be the first summer I can remember without one decent action movie.

The Fake Shemp

  • Ebola Carrier
For reference, what would you score the other Die Hard films?
PSP

Solo

  • Senior Member
In order: 9.5, 6.5, 8

Solo

  • Senior Member
DH movies seem to require McTiernan and a great actor playing a Gruber brother to work.

The Fake Shemp

  • Ebola Carrier
I wonder if McTiernan and Willis will ever do one more before riding off into the sunset. :'(
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bud

  • a smudge of excrement on a tissue surging out to sea with a million tons of raw sewage
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they certainly could since mctiernan isn't in jail anymore lawl

his remake of the thomas crown affair was pretty awesome btw, it was the last good movie he did :'(
zzz

Solo

  • Senior Member
McTiernan doesnt get anywheres near enough recognition as far as Im concerned. I loved his DH movies and Red October, and really liked Predator and the Thomas Crown remake.

Solo

  • Senior Member
Willco: I could actually see it. I mean, McTiernan seems to be clear of his troubles now, and after the PG-13 debacle, Bruce may wanna give er one more go, and McTiernan seems to do the odd numbered ones.

DH5: McTiernan + Willis + a Gruber = cinema gold in 2012. Believe!

The Fake Shemp

  • Ebola Carrier
I'd love to see one more Die Hard and McTiernan should end the series.  Live Free or Die Hard, which has gotten pretty positive critical and audience reception, should prove to FOX brass that there's still some milk left in the golden cow.

Heck, I say bring back Bonnie Bedelia.  Nothing is more humorous than divorced couples.  Watch her be dating some stable, business-minded man that McClane is disgusted with.  And we have McClane's daughter now.  LET'S TERRORIZE THE WHOLE FAMILY.
PSP

Solo

  • Senior Member
Indeed. I was sad that she wasnt in this one (or Vengeance). Same with Family Matters dude, he should come back. That was the big problem with the last two movies is that they just sort of forgot about the first two movies, and dropped all those great characters.

AND LETS GO BACK TO THE NAKATOMI PLAZA