Three Billboards Outside Ebbing, MissouriEnjoyed this movie as much as I thought I would. Really sharp and humorous with an abundance of dark humor and satisfying pathos. I'm not sure what group this puts me into, but I can understand the complaints with Sam Rockwell's character. Something about how they treat his racism so casually, combined with the focus on his big turnaround, didn't completely sync up for me personally. However I can totally understand that's on me and others can have different interpretations.
Also, the way certain characters would weave curse words into their tirades was just... poetic.

4 / 5
Beauty and the Beast (2017)
This was a perfectly-serviceable remake that does little to make its own mark or stand out other than "Hey, it's actors you know and like!" I will admit it's been at least a decade since I've seen the animated original, but there was nothing here (outside gay LeFou) that felt different in the slightest. What slightly elevated things for me was the set design, which bordered a little too much at times on "cray-cray Burton" and something more subdued. The exterior of the castle in particular was delightful.
Speaking of gay LeFou, I almost feel... cheated? Like it makes a lot of sense LeFou would literally be gay for Gaston, but that just makes it an
easy decision. I'm *generally* not for changing orientations or race in updated characters, but it worked here (though felt a bit stereotyped.) I wish Disney would have introduced a brand-new gay character, but considering the blowback from a character as small as LeFou, I guess any step forward should be commended.
3 / 5
The Invitation (2015)
I didn't know much about this going in, and I'm glad I didn't. I'm also glad I set aside my laptop and smartphone for the running time. This is a movie with exquisitely creepy music playing over long, almost slow-mo, shots, but it still deserves every bit of your attention.
I wasn't sure whether I felt a 4 or 5 was more appropriate, but on reflection I honestly can't find a major flaw nor can I offer any tangible improvements. In terms of tightly-wound, paranoid thrillers,
The Invitation has to be up there.
Spoiler by omission:
spoiler (click to show/hide)
The entire movie I was going "Please don't be aliens, please don't be robots or some shit," and thankfully it wasn't! Biggest highlight of the movie is that it was just humans, and that's what makes the ending so damn powerful.
5 / 5
Good TimeRobert Pattinson completely disappears into his role of bank thief and brother to his mentally-challenged accomplice. This film's direction reminds me of
mother! - you're constantly being whisked around and disoriented by close-ups, with very few wide shots (and of those, the car tracking shots are particularly mesmerizing.) The story is a bit weird and twisty, with no obviously "earned" plot developments, but that gives things a bit of a grittier, more realistic, improvisational feel. The focus here is on Pattinson's character and his brother, and in broad strokes they do both have fulfilling arcs.
This movie is definitely not for everyone, and I'm not even sure I'll remember it in a few years, but it definitely made me feel things as a result of the direction and acting.
4 / 5