JOKER arrived on Netflix Japan.
It's well-shot, could've been edited a bit more tightly. Pacing felt self-indulgent, prideful of its own cleverness. I don't see it as being pro-incel so much as anti-society. It owes a substantial debt to Taxi Driver, King of Comedy, and any number of unreliable narrator movies. I'm unsure how much of the film is meant to be real, and how much is solely in Arthur Fleck's delusional head.
Phoenix elevates the material, and there are some good bits. Not just good emotional presentation, but he nails the laugh. All the Looney-Tunes chase sequences emphasize the disconnect with consensus reality.