What's controversial about that (landscape) statement?
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Anyway, his reasoning of revenge i hope isn't predicated on spoiler (click to show/hide)
me giving a shit when they kill Joel, because as a character he isn't very likeable, which is fine, but i also won't exactly cry my eyes out for him.
I don't think the statement is controversial, just funny. And reinforcing that most game writer "auteurs" are just dudes who's artistic influences don't really stretch beyond popular movies they grew up watching.
spoiler (click to show/hide)
I think Joel dies relatively late in the game. If that's the case, it might be a moment for no return for Ellie, but may be intended to give the player an opposite feeling? Subverting the Ludonarrative Dissonance tropes

Well played Mr. Druckman
One thing I definitely will give Druckman credit for is knowing his limits when it comes to writing.
The thing about TLOU that separated it narratively from every other AAA game in that era is that it knew when to STFU.
Bioshock Infinite pissed me the fuck off because the plot was ambitious, but the moment to moment writing felt cheap, hollow, or just award-baity. Yes, please have Elizabeth sing with a bunch of poor children in the slums when you randomly pick up a guitar. This will be a moving moment that will show how forward the medium of gaming has come. Problem is, that scene was so damn out of place considering I shot some guy in the head like a minute before.
So then TLOU comes out and we get a story that stays stays in its lane that wasn't half bad. I was extremely surprised how crazy people got over it. I thought it was a competent zombie story wrapped up in a really good game, but no Citizen Kane lol. I still can't fathom people comparing TLOU to anything beyond...like a Starz original in terms of writing.