International film festival just hit town, so prepare yourselves for obscurities up the wazoo.
Such as The Longest Night (La Mala Noche, Ecuador), a very earnest and slightly noir-ish look at a portion of Latin America's sex trade. Its a week in the life of a prostitute that's getting to the point in her life where her options begin to winnow. It sort of skirts the borders of the same territory that the Dardenne have staked out, but the filmmaking isn't quite as assured, but not being as good as the Dardenne's is a high friggin bar to clear after all. Its a valuable work in that its an empathetic and appropriately de-glammed (but crucially not oppressively glum) look at a marginal yet common figure in society. The only knock I've really got against it is that its more admirable than excellent, that's not really so bad.
But while the previous film might never rise past another one of legions of festival obscurities, that won't be a problem with Master Z: Ip Man Legacy which will be something your Netflix account will recommend to you in several months or so provided you've ever watched a martial arts film before. Yuen Woo-Ping has a towering reputation as a director of fight scenes, but his record as a director of movies isn't quite as sterling. This film demonstrates so damn well how he's great at the former and competent at the latter. The antagonist of Ip Man 3 (Jin 'Max' Zhang) fights many dudes and amongst perfunctionary gangster drama. Performances are stilted, the dramatic staging is flat, the parts where the people are hitting each other are fantastic though. The great cast fills in the expected and underwritten parts with as much brio as possible. I had a pretty good time watching this, but then again its difficult for me to not enjoy any film that has a bunch of great fight scenes in it, and hell, any film that has Dave Bautista beating a man to death while wearing an apron ins't entirely short on inspiration.