Batman and Robin (2011) #29-32 "The Hunt for Robin"And so after the fantastic Two-Face arc showing Tomasi shines best when Robin's out of the picture, comes the arc that kicks off his return. Sigh. With that said, this arc was still great partly because Robin's not actually in it, and it still features Batman teaming up with some great partners like Wonder Woman, Aquaman, and even Frankenstein. I liked the Wonder Woman issue a lot, and Frankenstein's was great because we see the fallout from
Batman and Robin #19 where Batman dissected a live Frankenstein (who reveals it took Tim over 27 hours straight to put him back together again.) Thankfully, Frank doesn't hold a grudge long and teams up with Bats to face down Ra's al Ghul for Damian and Talia's bodies. It's a great story that takes Batman (and Titus) all around the world. I'm just sad that after this, the one-issue team-ups are pretty much over.
4 / 5
Batman and Robin (2011) #33-37 "Robin Rises"(I'm also including
Robin Rises: Omega and
Robin Rises: Alpha in this.)
Regardless of my feelings on Robin's return, I just felt this was a weaker arc in general. It was fun to watch play out, but I'm not a fan of Batman curbstomping Darkseid (even in some super-amazing super suit built by the rest of the Justice League.) After
Final Crisis I hoped DC would have realized that Villain Decay was something to be avoided. Robin getting superpowers is an interesting twist I'm looking forward to seeing play out, but my hope is that they're ultimately temporary.
3 / 5
Batman: Batman and Son(I'm reviewing the Deluxe Edition, which includes
Batman: The Black Glove and caps things off with the third fake-Batman.)
Here we see the start of Grant Morrison's Batman run, and it's surprisingly easy to follow and a nice read... until the end, when things go nutso-crazy in typical Morrison fashion with Bat-Mite showing up, "Zurr En Arr" getting flashed in a panel, and the introduction of Doctor Hurt. I've read most of the rest of Morrison's Batman work, including R.I.P., Batman and Robin (2009), and Batman Incorporated, and it was interesting to see him sew the seeds for the rest of his run this early.
That said, it also reminded me that I pretty much hated most of those elements outside of Doctor Hurt.

It's a shame because the first 75% of this story is great, and even though the main plot with Damian and Talia don't get resolved here I appreciated the wrapping up of the "three fake-Batmen" storyline since that's how the first couple pages start (with the first fake-Batman shooting the Joker in the face.)
When I first started getting into Batman comics, I appreciated a lot of what Morrison was trying to do (from an outside-looking-in viewpoint and not actually reading his stuff.) I thought it was commendable how he was actually trying to bring back Silver Age elements and updating them for modern times, when in my view every other writer was trying to forget that stuff ever existed. But now that I've read almost all of Morrison's Bat-bibliography and compared it to other writers, I'm not sure I have that same respect. He certainly tried his damndest, but I think there's a lot more misses than hits with his approach.
Like I said, right at the end things go off the rails, and it's not just the elements introduced. The way the panels flow and are laid out make things into a huge clusterfuck. I know that was the idea since Bruce is out of it, but it goes a little too far. I get what's happening. I just want to understand what's happening better.
3 / 5
Batman: The Black GloveHere we see another curiously Morrison thing: the revival of the "Batmen of All Nations / Club of Heroes" idea and integration into the main DC continuity. And I have to say, Grant buddy... no one gives a damn about these losers!

I get you like them for some reason, so much so they formed the basis of Batman Incorporated, but I just. Don't. Care.
I've heard some good praise for this story over the years, and it's a nice murder-mystery, however it felt like half of it was spent on these idiots standing around and the actual mystery/deduction felt rushed as hell. In the final few panels, it's hard to tell what's happening and the comic cuts abruptly from scene to scene back to scene. It's unnecessarily confusing considering the actual resolution is otherwise straight-forward.
The art is really nice, though.
2 / 5